This Haregi outfit for Altria has actually been in preparation for quite a long time. The reason for choosing to go out for a shoot on a rainy spring day was precisely to fit the specific theme of "Rainy Sakura." When we left that day, the sky was just overcast, but by the time we reached the cherry blossom garden, a drizzle started to fall. However, this grayish-white soft light was actually more suitable for my yukata, which is mainly light blue and pink, preventing the colors from appearing overly vivid and losing texture.
For the wig and makeup, I specially adjusted the color saturation for this look. Altria's signature ahoge and the hair strands at the sideburns require very meticulous teasing and positioning during processing, especially on a rainy day when they can easily collapse if you are not careful. The makeup focused on highlighting a translucent feel, especially the coordination of eye color; I specifically chose emerald green colored contact lenses so they could form a cool-toned echo with the light-blue base cherry blossom pattern kimono. This cool-toned "eye catcher," combined with the pink tenderness of the cherry blossoms, instead has a serene sense of beauty.
Regarding the prop experience, this white-based wagasa (Japanese umbrella) was indeed one of the few highlights. Although it looks lightweight, holding it with one hand when the wind force reaches level three to four, accompanied by rain streaks, actually heavily tests the stability of the arm. To capture the poses of holding the umbrella and looking back, as well as the front view, we tried about twenty times in the middle. We had to ensure that the lines of the umbrella ribs were not blurred by the falling raindrops, while also ensuring that the outline of the highlights fell exactly on one side of the cheeks and shoulder line. The folding fan and scroll were also temporarily matched props; the pink and white color scheme of the folding fan formed a visual balance with the red and light blue of the kimono sash, while the scroll made the holding gesture appear more classically charming.
In choosing camera positions, the photographer mainly concentrated on the gaps between the cherry blossom tree trunks and beside low shrubs. Because the layering of flower petals stacked on branches is very messy, if a large aperture is not utilized to blur the background, the kimono pattern of the character easily mixes into a clump with the background. This also placed high demands on me to maintain my posture. Because it was a side-backlit environment, we had to rely on those weak rain reflections to trace the character's contour, allowing that touch of blonde hair to pop out instantly from the dark tree shadows. The neckline of this yukata is handled quite reservedly, and with the large sash knot, it actually limits the extension of the upper body, but when turning, the bowknot crease on the back looks exceptionally beautiful.
Regarding the overall atmosphere of the final photos, I truly love photos with raindrops. Rain hitting the umbrella surface and cherry blossom petals, with even some fine raindrops serving as foreground embellishments—this environment actually has more of a sense of presence than photos shot on sunny days. We shot for about two hours, and the hair and clothing hem were already a bit damp, but the final presented cool serenity and soft light-and-shadow balanced beautifully. We didn't even do much major post-processing on this set of works, only making some basic color temperature fine-tunings to preserve the authentic spring atmosphere of that day.
Although shooting a kimono photoshoot in the rain is hard work, being able to catch that fleeting, moist texture makes all the waiting worthwhile. This Japanese-style Altria not only preserves the inherent majesty of the character from the Fate series but also adds a layer of tenderness and tranquility belonging to spring. Let let this serve as a peaceful piece of cosplay sharing.