The tailoring of this dress is truly sophisticated; it perfectly integrates into both the openness of marble colonnades and the magnificence of gilded indoor staircases. Many people ask me which scene this dress is best suited for; actually, I think it depends on the atmosphere you want to create. Outdoors, utilizing the depth in Architectural photography and natural light, the layering of the skirt can be pushed to the limit, bringing out a cool, ethereal, and distant beauty, especially suitable for shots pursuing a sense of space. Conversely, indoor decorations with a palatial style, combined with complex interior lighting, better bring out the silk texture of the Blue dress, making it look softer and more story-driven. In clothing production, the support structure of such a large skirt and the fabric choice are crucial; they determine whether it can spread into perfect arcs during dynamic shots. As this Ganyu cosplay, I really enjoy the process of switching temperaments in different environments. Changing locations frequently for these shots is physically demanding, but seeing the final result, especially the moments when the skirt flies, makes all the effort worth it. Regarding design, I personally prefer this tailoring that produces different expressive power based on light and shadow changes; it gives every shoot a brand-new surprise. Compared to a single style, a dress that can hold its own in different spaces is the core of quality.