[Two-Year White Studio Collection, Every Photo Is a Mark of Growth]

Looking back at the white studio photography taken in Shanghai over the past two years, from my initial rudimentary understanding of lighting to now being able to proficiently control the even lighting of an infinity cove, each photo records a different stage of myself. The advantage of white studio photography lies in its cleanliness, allowing a complete focus on the character itself without messy background distractions, but this also places higher demands on costume textures and makeup details. I like to use solid-color gradient backdrop paper paired with softboxes at various angles, letting shadows fall softly on the character's silhouette while retaining the translucent feel of the highlighted areas. The character styles in these photos span a wide range, from playful and sweet to dark techwear, and the volume of props and wigs varies as well. Before each shoot, I use 3D modeling software to simulate lighting paths beforehand, ensuring the final product highlights the layers and textures of the 2D apparel. During post-color grading, I usually fine-tune the color temperature based on the character's temperament—for example, cool-toned skin pairs with a chilly blue tone, while warm systems get a bit of an orange vibe. Over these two years, the infinity cove has become my second "classroom," and every click of the shutter deepens my understanding of light and shadow. In the future, I will continue to explore more lighting possibilities, bringing out the ideal texture for every outfit prepared with care for roleplay.