Sitting in the car, the light from outside the window happened to hit the freshly styled Blonde wig. Before getting out of the car to line up for entry, I quickly pulled out my phone and snapped a few shots in my seat. For today's look, I got up at five in the morning to do my makeup. The base makeup pursues a fair and flawless look, with a large area of pink-toned blush swept on, paired with large-diameter amber contact lenses, striving to restore the translucent feel of 2D animation in front of the lens. The focus of the eye makeup is on eyelash shaping, using relatively exaggerated styles for both upper and lower lashes, with the outer corners of the eyes slightly elongated to create a visual effect where the eyes occupy a larger proportion of the face. The lips use a glossy pink lip glaze, making the facial texture look fuller. Wig styling is actually the most time-consuming part. This golden curly wig was very frizzy when bought; last night I spent over an hour re-smoothing the texture with a curling iron, and sprayed glitter hairspray before going out today. Now, the subtle shimmer on the hair strands looks extremely good under natural light. The sailor hat on top of the head is a great finishing touch prop, and the pearls and metal chains along the brim add a bit of retro feel. The light blue little fish and heart-shaped hairpins pinned in the hair, as well as the two silver heart-shaped necklaces layered on the neck, add some liveliness to the overall styling in terms of details. The Sailor suit cosplay features a dark blue collar paired with a white-and-blue striped inner wear, and the huge light blue bow in front of the chest is the center of the overall vision, while the puff sleeves and lace-trimmed cuffs add a sense of layering to the clothing. The space in the car is quite limited, and the front seats are relatively close together; shooting directly with a phone makes it easy to distort. I first explored with the rear camera for a while, finding that the side backlight from the car window best highlights the fabric texture of the clothes, but the light on the face looks dim. Later I switched back to the front camera, extended my arm slightly further, and raised my chin slightly. Looking from the screen, the first photo with a slightly tucked chin looking straight at the lens feels the best, with natural eyes and expressions, and a slight careless curve at the corners of the mouth. The second photo turns the head to the side and pouts, originally trying to try a more playful dynamic, but because the lens was pulled a bit wider, half the body of the companion traveling alongside was also captured. Actually, the happiest time of doing cosplay, besides collecting photos with fellow fans at the comic convention site, is this moment of waiting in the car before setting off. Headpieces worn, makeup checked without errors, the wig doesn't fly around, and clothing wrinkles are neatly organized, giving a sense of security that everything is ready. The offline event atmosphere of Touhou Project has always been great, and everyone has extremely high enthusiasm for their favorite characters and settings. I wonder what fellow fans I will meet at the site today, and what interesting interactions there will be. Using the camera to slightly tidy up the lace at the collar, I take a few more photos ready to post an update to record the state at this moment. Adjusting the wrinkles of the clothes, I'm about to push open the door and step into the venue.