This blue-and-white color scheme belongs to the Cheshire Ice Princess look. Having manually retouched the first preview photo, the synthesis between the overall studio environment and this costume quickly revealed itself.
An indoor studio was chosen for the shoot, with a light floral carpet spread on the floor, an electronic screen simulating fireplace flames on the left, and a white European-style high-backed chair on the right. The entire set carried a vintage style, using red and white artificial roses to add color layering to the frame. The top portion of the outfit pairs white sheer fabric with blue tulle sleeve cages, featuring an off-the-shoulder design on the shoulders that, combined with lace trim, cleanly defines shoulder lines. The headpiece features rich materials including a white cap, multi-layered interwoven blue-violet ribbons, as well as metal and bead-string details. With its lower center-of-gravity weight, special attention had to be paid to the stability of the headpiece during shooting.
The wig features a grey-blue main tone infused with bright teal highlights, where subtle curls at the hair ends echo the lightness of the headpiece nicely. The blue tulle at the hem overlaying white sheer fabric inside, along with subtle shimmer on the outer aquamarine skirt, creates rich visual depth through mixed-material stitching. White pointed shoes with black-soled forefeet were chosen for footwear, offering a clean landing line on the carpet, while a cross-legged sitting posture lets calf and ankle lines appear more graceful before the lens.
At booths or during studio shoots, large-volume garments like this suffer most from tangled sheer fabrics. Before shooting, I made a point to smooth out and untangle all blue tulle to avoid deep creases; especially after sitting down, spreading the skirt hem evenly across the round rug prevented bulky clumping. With numerous lace layers at cuffs and collar, hand movements when reaching up to adjust the headpiece needed to be gentle to avoid snagging delicate lace.
Regarding camera angles, a slightly low eye-level perspective was chosen as the main angle, incorporating shoe tips and leg lines into the frame while clearly showing waist-cinching tailoring and decorative chest lines. Lighting utilized two main lights: a frontal softbox illuminating face and chest, and a cooler side fill light shining on blue tulle and wig highlights to forge a crystal-clear ice texture.
As Cheshire Ice Princess skin from Azur Lane, the character's conveyed emotion shouldn't be overly distant. Cheshire's setting is naturally affectionate, so in expression control, my smile kept a natural curvature with eyes looking directly at the camera paired with slightly turned-up lip corners. Hand gestures were refined, lifting a wrist to gently touch the blue ribbon atop the head in a casual hat-adjusting pose that matched character lore while heightening viewer immersion.
During mobile editing, I didn't excessively boost saturation, appropriately lowering blue channel brightness so skirt blues leaned toward a cool white-tinted tone rather than bright blue. Highlights were controlled well, avoiding blown-out whites while retaining fabric weave textures. Skin texture received minimal color-smoothing to preserve authentic skin feel, with smooth light-to-dark transitions devoid of dead black shadows.
For character shoots of this kind, matching props and scenery greatly enhance the final result. The back curve of that white carved chair sat right behind the subject's right side, enriching the backdrop without stealing the show. Warm light from the fireplace reflected off the screen, forming subtle environmental color on the left that blended with cool rim light to balance warm and cool tones across the frame.
I also made adjustments in posture; having tried standing and semi-prone poses earlier, I ultimately settled on this seated-leaning composition because the skirt spread area filled the lower frame perfectly, showcasing costume tailoring without appearing bulky from excess fabric. The black-and-white spliced shoes matched the overall blue-and-white aesthetic harmoniously without feeling out of place.
In post-processing beyond color balance, I performed clean-up around head and tulle edges to eliminate glitchy shadows or depth-of-field clutter. The overall ambiance turned out relaxed and natural, largely fulfilling expectations in recreating the character of Cheshire across hair, attire, and demeanor.
By extension, this shoot plan was essentially tailor-made for this Blue and white Western-style dress, considering character trait presentation from every angle. After completing this post-production review, I feel this batch of material still holds great potential for producing several versions of different moods based on varying lighting environments; however, as the first retouched mobile version, this picture has already been selected as the lead cover shot.