Taking on Denia's second form from Wuthering Waves involved an extended preparation period, largely because of the sheer density of detail. Starting with the makeup: to match the character's non-human nature, I chose pinkish-purple contact lenses. The eye makeup concentrated heavily on lower-lid smudging with a prominent droop effect, paired with dense, voluminous false lashes. The base makeup was kept as immaculate and clean as possible without excessive contouring, finished with a glossy pale pink lip gloss to evoke the porcelain texture of a ball-jointed doll (BJD). The wig posed a major challenge: fading from silver-white into pastel pinkish-purple, the curves at the ends demanded meticulous heat-shaping. To give the crown's ahoge sturdy support, I threaded thin craft wire inside. Fluffy buns on either side were anchored with black ribbons, while the forehead hairpins featuring three black silhouettes of little figures holding hands were cut from stiff felt, positioned with strict attention to symmetry. The gold hairpin set with a sapphire on the side was carefully sourced from high-shine metal hardware so it would catch the studio lights brilliantly. Regarding the wardrobe, this deep navy dress features a subtle shimmer. The large white bow across the chest serves as the visual centerpiece, accented with a ruby centerpiece and weighted gold chains draping below that clink softly in motion. The magic circle motif across the collarbone was painted by hand: laying down a blue base first, layering a purple gradient, and finally inking the central star and eye-like patterns. To prevent sweat from smudging it during the shoot, I dusted it gently with translucent powder using a small detail brush. The sheer blue opera gloves are feather-light, pre-drawn with linear patterns. White armbands encircled my upper arms, edged with the same silhouette figure motifs as the hairpins; during arm-raising poses, the glove fabric offered smooth elasticity without pinching. We chose a solid black backdrop with strong frontal key lighting to maximize the textile sheen and the chest body paint. For posing, I drifted between spaced-out expressions, gently lowered lids, and mimicking curled kitten paws. Denia's form carries an enigmatic, detached aura, so I kept facial shifts minimal—letting my gaze stay cold and direct without sweet smiles. The makeup, costume, and props took about two weeks of fine-tuning, from sourcing fabrics to test makeup and the formal shoot; seeing the final results made every bit of effort worthwhile.