This landscape series turned out exceptionally smooth. On the day of the shoot at Nekomiya Studio, combined with the traditional Japanese room's shoji doors and tatami mats, the overall atmosphere immediately clicked into place. The entire look uses a dark blue modified Qipao as the foundation, with light blue piping at the collar and cuffs echoing the wig's color tone. The golden embroidered patterns on the chest and waist look rich in texture under warm light without being overly flashy. The grey and white striped wide-sleeved jacket worn over it is the finishing touch, imparting a casual, relaxed vibe when put on; paired with the black gloves on my hands, it draws a strong visual focus. For the hairstyle, double bun braids were styled and pinned with white hair ornaments featuring geometric lines, adding a refined framing touch. For makeup, a clear and translucent base was deliberately preserved, which, along with blue contact lenses and soft eyeshadow, gave the overall temperament a calm yet mysterious quality. The photographer, Teacher Hashimoto Kanko, captured fantastic angles—especially the landscape composition, which perfectly incorporated the full depth of the indoor set. Sitting side-profile on the tatami looking back, with the folding fan slightly opened in hand and accompanied by a colorful paper umbrella with a light blue base next to me, conveyed that calm, unhurried composure wonderfully. The studio scene details were also rich, featuring not only pinkish-white hanging cherry blossom branches, but also red maple leaves and wooden tea sets accenting the corners, plus an antique-style wooden zither placed on the floor, adding rich layers to the space. The butterfly hair ornament on the wig was another subtle touch that added detail, radiating a lively feel under specific lighting. The cut of this Qipao is relatively slim-fitting, but the drop-shoulder striped jacket perfectly balanced these form-fitting lines, making the silhouette look crisp without feeling stiff. Throughout the shoot, the photographer used many side and three-quarter angles to capture expressions; tilting my head slightly up or looking down at the camera created distinct moods. For instance, leaning against that reddish-brown wooden grid while leaning forward created a great sense of visual interaction. Though holding a folding fan, it didn't block the body completely, but served as a dynamic extension of the frame, which really tested control over strength and angle—luckily the state on set was great, and after trying a few shots, we achieved a satisfying result. The entire studio session was very relaxed without forced posing pressure, focusing mainly on natural interaction with props—like casually playing with the fan handle or leaning gently against the wooden frame. Freezing these everyday actions actually fit the character's traits far better than stiff posing. The finished style of this set leans towards soft and warm tones rather than chasing sharp light-dark contrast, fitting the ambient indoor studio mood nicely. The studio light sources were warm-toned, providing an even glow on the face while beautifully highlighting the metallic thread embroidery on the outfit. Taking advantage of the comfortable light, we shot across several different positions, keeping the entire shoot tempo perfectly paced.