The temperature at the 2026 CICF D2 venue was higher than expected, and people were everywhere inside and outside the hall. This time I cosplayed Sakiko Toyokawa from Ave Mujica. To catch the morning light, I started working on makeup and hair before dawn. Sakiko's hairstyle is characterized by its layering; trimming and styling the wig took nearly an hour, deliberately leaving sideburns on both sides that contour the face, paired with a high crown styling to reinforce her presence.
The contact lenses were chosen in a gold-brown hue, contour shadows were deepened in the makeup, the eye makeup underwent a slight cut-crease treatment, and the outer eye corner lines were elongated and upturned, closely fitting the cold and alienated temperament of the original design. The base makeup focused on being lightweight and long-lasting, as a full day at a Convention photos venue heavily tests makeup durability. Regarding the costume, the white long-sleeved shirt has a crisp silhouette, the silver button details on the cuffs are well-executed, and a black bow tie is tied at the chest. The lower body features a gray-white plaid pleated skirt with a waist corset, elongating the overall proportions. The socks were specially chosen as white crew socks, paired with black chunky-heeled loafers, making it convenient to move around and be active at the convention.
Props included a black camera, a light purple tote bag, and the blue paper-cup milk tea that frequently appears in Convention photos; these are all small props that enrich the visual elements. Shooting at a Convention photos venue often comes with messy lighting, but this collaboration with photographer NightDiva went extremely smoothly. We chose the architectural walkway on the outer periphery of the main hall, utilizing the glass curtain wall and the sky as the background. To avoid crowded tourists, the composition intentionally used a large aperture to blur the background, locking the visual focus firmly onto the subject. During the shoot, there were no deliberately exaggerated poses; it was more about finding the natural candid feel of everyday life. When holding the camera, fingers were placed on the shutter and lens, chin slightly tucked, gaze tilting slightly toward the lens; or sitting on a folding chair with legs crossed, letting the lines of the pleated skirt naturally drape down.
On-site candid shooting actually tests physical strength and concentration a lot. To capture that cool and resolute feeling in the gaze, I would blank out briefly between shooting intervals to enter the character's state. The character Sakiko carries an inherent composure and majesty, requiring not too many expressions, creating this atmosphere simply through posture and gaze delivery. This photo set was shot from afternoon until dusk; when the sky darkened, a portable fill light was turned on, and the alternation of cold and warm lighting gave the frame another texture.
For cosplay, details from individual hair strands to shoes and socks cannot be sloppy; if a single detail lacks fidelity, the overall aura will be compromised. The compiled effect of these Convention photos matches my understanding of the character Sakiko very well. Convention photos often carry the unique vibrancy of the live scene, whether holding milk tea or a camera, feeling like captured moments of daily interaction. Every time a cosplay set is completed—from makeup tests to final styling and then to main photos or Convention photos—what is accumulated is not just photos, but a deeper exploration of the character. There are subsequent shooting plans for other characters, so let's record up to here for now.