This Ganyu Nun styling took considerable thought from initial concept to the final studio shoot. For the wig, I selected a long, light blue wavy style; because the tips needed a natural subtle curl, I spent a long time sectioning and curling them with a curling iron beforehand, using generous amounts of styling spray to hold volume. The red curved horns on top were custom-made with black inner linings, forming a striking visual focal point against the overarching black-and-white palette. For makeup, focus centered on the eyes: wearing bright blue contact lenses and using cool grey-toned eyeshadow to deepen the eye sockets, aiming to strike a balance between melancholy and aloof allure. Base makeup was kept crisp and luminous, as blue light cast on the face can easily look dull without adequate highlighting.
Great care was poured into the wardrobe coordination details. This outfit is an adapted maid dress fused with nun motifs. The white shirt preserves a stand collar and ruffled cuffs, while the outer black open-front long robe features an open back and high-slit cut, elegantly framing body lines from varied angles. Paired with white over-the-knee stockings and glossy black high heels, the color contrast of the overall look is remarkably sharp. The fabric has a natural drape, so physical postures were needed during shooting to maintain the garment's flowing silhouette. To prevent wardrobe malfunctions, inner garments and safety fasteners were thoroughly prepared. Given the black-and-white color blocking, lighting demands were rigorous—requiring sufficient highlights to showcase the texture of the white fabric while preserving shadow details within the black fabric.
Arranging the studio set also took considerable time. The background utilized extensive black backdrops, with primary props consisting of wooden crosses and several square crates veiled in semi-transparent white plastic film. For lighting, the key light utilized cool blue tones cast from the rear-side to cleanly outline the silhouette, while lending a hazy, dimensional texture to the plastic film and sheer drapes covering the props. Warm fill light was added on the opposite side so that skin textures and clothing details wouldn't lose dimension under intense cool illumination. On set, the folds of the gauze drapes had to be fine-tuned continuously according to lighting angles to keep the frame dynamic. Light distance and intensity demanded precise control: overly strong blue light washes out skin tones, whereas too weak a light fails to evoke that chilling ambiance.
Throughout the shoot, I explored varied body language. Standing with a hand gently touching the collar emphasized the garment's drape while revealing partial leg lines via the high slit; sitting sideways on a crate with hands folded brought out a reserved, introspective emotion, requiring core engagement to keep the back straight. My favorite pose was kneeling sideways at the end, extending an arm upward to touch the gauze drapes—this posture beautifully showcased the back cutout and the overall line tension. Executing these postures in high heels genuinely required solid balance while managing facial expressions to ensure engaging eye contact with the lens. The entire process involved continuous postural adjustments to harmonize with garment textures and lighting angles.
To cultivate that mysterious, sacred aura, I tried to quiet my mind during shooting, imagining a tranquil, dark night where only light and breath interacted. The camera was fitted with a 50mm prime lens opened to around f/1.8 to achieve creamy background bokeh, locking visual focus firmly onto the subject. During post-processing, heavy skin-blurring was avoided to preserve authentic skin texture; instead, color grading was unified with a cool-toned treatment, accentuating the blue, black, and red palette. From garment tailoring to set construction, every stage underwent thorough communication and fine-tuning, ultimately realizing this dark, mysterious visual aesthetic.