Today shooting this convention photo set of Ganyu, the biggest feeling is that Sanfen Wangxiang's outfit is truly faithful to the original. From preparing the wig to wearing it neatly, it took quite a bit of time. To fit the character's detached yet ethereal setting, a lot of effort was put into costume organization beforehand. Let's talk about this cosplay costume first. Sanfen's cutting is indeed tailored very well; the black bodysuit has good elasticity, doesn't feel restrictive when worn, and has a great texture under the lighting. What attracts me most are the silver-white armor arm cuffs on the arms; although there are many layers, they are made very lightweight and won't affect posing. The golden bell and collar on the neck are extremely eye-catching, matching the metal pieces on the chest and waist, bringing out a strong overall sense of layering. The wig part features the classic black-and-red twin horns plus light gray-blue long curly hair. The wig has plenty of hair volume, achieving great fluffiness with just a little grooming, and paired with the thick hair strands on the sides, it modifies the face shape very well. The horn parts are fixed to the wig with rubber bands and hair clips; they are slightly heavy, but after adjusting the center of gravity, they basically don't have much impact. The lower body matching is also a key point. The blue-and-white checkered skirt hem forms a sharp contrast with the red tassel pendants. Black stockings are worn on the legs, with an orange crisscross line pattern on the thighs. To capture that sitting posture in picture two, I adjusted the angle on the blanket several times—making sure the skirt hem spread out nicely while ensuring the pattern on the legs was fully displayed. Shooting while sitting actually tests waist strength, especially while balancing the sleeves and arm placements. The side standing photo in picture one aims to showcase the side curves and the costume's texture under natural light. Because the chest design of the outfit is quite unique, looking from the side makes the body curves look exceptional, coupled with the hollow-out design on the back, the overall feel is very light. After shooting these two sets of photos, I feel this outfit is truly worth buying. Although the dressing process is slightly complicated, requiring adjustments to the metal parts and fabric wrinkles in various places, as long as you wear it correctly, the photo results are very direct. I didn't deliberately do exaggerated actions; I simply presented the character's temperament through the clothing and posture. In fact, every time I cosplay, the most enjoyable part is the process of turning flat 2D designs into physical reality step by step. From the texture of the costume to the luster of the accessories, every detail needs to be controlled by oneself. Today's set turned out great, so I quickly edited the pictures and posted them right after shooting. The weather is getting gradually cooler, and wearing this set indoors for shooting is just right—not cold at all. Next, I still need to properly store the components of this outfit so it's ready for another battle at the next anime convention.