This time shooting Columbina, we set the scene in a vintage study and a piano room. To match the character's temperament, I spent a long time carefully organizing the sheer fabric, lace trims, and those complex piecing details on the costume. Especially the white winged hair accessory on top; even a slight deviation in position would look uncoordinated, so the stylist and I adjusted the angle multiple times to make it look natural enough without easily falling off. In the first photo, sitting on a carved wooden chair holding a bone china teacup, I deliberately chose this set of teacups with golden patterns, paired with the stained-glass vintage desk lamp and piles of old books beside it. The brass mechanical ornaments and white lilies on the tabletop were also meticulously arranged, being careful to hide modern items like mobile phones in the corner to avoid ruining the overall classical atmosphere, aiming to present a quiet yet somewhat mysterious afternoon tea scene. The second photo captures a state of leaning over the desk to write, holding a quill pen to write on letter paper. To capture this moment of turning the head sideways and lowering the gaze, the photographer tried several lighting angles so that the light fell precisely on the cheek and paper, paired with a thick red book, instantly giving the frame a strong narrative sense. While shooting, to maintain an elegant posture, I even practiced the curve of my fingers holding the pen in front of the mirror several times.
The scene for the third photo shifted to beside the piano. As the overall lighting dimmed, the emotion this set wanted to express became even more intense. I utilized the blue sheer fabric on the floor, and the half-kneeling posture better showcased the layering and ethereal lightness of the skirt hem. The small gold-framed oval mirror held in hand served as a finishing-touch prop; the lit candles in the foreground provided not only a warm light source but also enhanced the frame's depth of field. The crystal candelabra and golden statue in the background appeared heavily textured under the dim light, while the faintly visible piano keys added a touch of artistic ambiance. Because the overall tone leaned dark, I intensified the eyeshadow blending in the makeup to enhance a doll-like inhuman feel, and the black-and-red highlighted wig became even more prominent against the red inner layer, with the edges slightly tousled to look more dynamic. When shooting photos with this retro-fantasy style, the most crucial point is that the placement of the tabletop and surrounding props should look orderly amidst chaos, without stealing the spotlight from the character's focus. For example, the way books are stacked and the angle at which the teacup tilts—these minor details all affect the final composition. Additionally, the posture in photo 3 was actually quite difficult to maintain: kneeling on the hard ground with knees, while keeping the upper body relaxed and arm movements natural, requiring the core to remain engaged the entire time. However, seeing the interwoven effect of light and shadow and sheer fabric in the finished photos made all this hardship worthwhile. A lot of thought went into everything from costume coordination to scene setup this time. In real-location shooting, problems like prop reflection or uneven lighting are easily encountered, and a lot of effort was spent during post-processing to ensure color tone unity. I hope everyone can feel the dedication poured into this work.