It has been a few days since the shoot for this client set of Shinobu Kochou cosplay. Looking through the photos now, I can still feel the focused state in the studio at that time. The preparation time was quite tight this time, but I am still very satisfied with the image texture finally presented.
Regarding the costume this time, that butterfly haori uses a very lightweight fabric. The white base is paired with black wing vein lines, and the hem is pieced with a gradient blend from pink and mint green to light purple, with very natural color transitions. The cuffs and hem edges are black, covered with irregular white patches—this detail is restored exceptionally well. When performing movements while wearing this wide haori, it can create a wonderful flowing feel. For instance, when swinging the sword or turning the body, the form of the fabric extending in the air fits the character's setting perfectly. In the second candid close-up of swinging the sword, the tension of the haori is fully displayed.
I didn't skimp on the details of the accessories and props either. The butterfly wings headpiece is fixed to the top of the head with hairpins; it looks lightweight, but it actually has some weight. To maintain the stability of the styling, the clips were specially reinforced. The small purple butterfly prop in my hand was the earliest to be prepared; every time it's lifted next to the face, a great close-up perspective can be captured. The orange butterfly handguard on the sword hilt is also a finishing touch. When taking photos, the hand movements must be grasped well to showcase the weapon without blocking the features of the face and costume.
In terms of makeup and hair, the wig is black-and-purple gradient. To prevent the top of the head from looking too heavy, a lot of thinning and volumizing treatments were done. For the makeup, to fit the character's sharp yet soft facial features, light purple colored contact lenses were specifically chosen, combined with deep eyeshadow and aegyosal blending, making the gaze look deep and carry a bit of that subtle oppression. The on-site lighting underwent repeated adjustments, especially the projection effect on the white wall, giving the third chin-resting photo a bit of a theatrical play look.
The line mentioned in the post description, "It seems we cannot be friends, what a pity," was also the emotional tone I tried hard to find during the shoot. She is not purely aloof, but rather has a complex personality carrying politeness and a sense of distance. Therefore, when facing the lens, I didn't make overly exaggerated expressions, trying my best to keep the corners of my mouth slightly upturned and my gaze calm.
Overall, I think this set of photos captures the character's outer-soft-inner-rigid trait quite well, and the extension of the costume, the coordination of props, and the lighting atmosphere are all in place. Every insistence on details can ultimately be seen in the final photos, which is also the most fulfilling part for an anime cosplayer during the cosplay photography process.