[Reze cosplay] Chainsaw Man Reze dress CICF Expo convention photos

This version of Reze's dress was shot on Day 2 of CICF Expo. I chose this dress because of its contrast with her regular work attire: the black strapless dress paired with long black gloves creates a much cleaner overall line, but putting in effort on the details is the key to accuracy. Before heading out, I styled the wig in the hotel—using a purplish-red base color with a gradient at the tips, and hair wax to give the bangs a slightly messy look without being too flat against the scalp. To match the character's temperament, I specifically chose bright green contact lenses, paired with a clear base makeup and a slightly pinkish blush, ensuring that the facial colors in front of the lens wouldn't look too pale. The black choker around the neck and the white daisy pinned to the side are the focal points of this styling; the daisy not only echoes the theme, but also adds a soft highlight to the overall dark tone.

In the afternoon, while looking for a shooting spot outside the venue, I happened to find a spot by the stone railing near the water with exceptionally good lighting, just catching the sunset's side backlighting. After communicating with the photographer, we decided to make full use of this golden light to build the atmosphere. Backlit shooting has higher requirements for facial expressions and postures, as the intense light easily makes people squint unconsciously. It requires controlling facial muscles, keeping as relaxed as possible while slightly tucking the chin. To make the frame more vivid, I tried three different states. In the first shot, I held the bouquet facing the camera with relaxed shoulders, presenting a quiet chatting feel, which clearly showcases the chest design of the dress and the floral prop. The second shot brought us slightly closer, smiling while maintaining eye contact. The third shot adopted a glancing-back pose, with my body turned toward the river, my right hand raised to gently touch the back of my head, and my left hand holding the bouquet, while revealing the arm lines wearing the long black gloves. This not only shows the back tailoring of the dress but also gives the frame a dynamic sense of extension.

When holding the bouquet, the arm posture requires some attention; holding it too tightly looks stiff, and holding it too loosely makes the flowers prone to dropping. I'm used to supporting the bottom of the flower stems with my left hand and slightly bending my right elbow so the bouquet sits just below my chest. This way, the flowers don't block the choker on my neck or obscure my face. The material of the black gloves is quite form-fitting, so when putting them on, you need to roll them up bit by bit to ensure there are no excess wrinkles on the surface. Smoothness in details makes the whole look more refined.

There was a large crowd outside the venue on the day of the convention, and finding this relatively quiet corner took quite a bit of time. But seeing the soft shimmering light on the water surface in the photos, along with the warm colors of the light hitting my cheeks and hair, made all the preparation feel worth it. As a coser, every time I portray a character, it's a form of understanding that character. Reze herself carries a dangerous allure, and the dress version gave me the opportunity to express another side of her: elegant and mysterious. After the shoot, I walked slowly back to the venue along the riverbank; with the breeze blowing, I felt completely relaxed, making this convention photo set a very smooth and pleasant shooting experience.