This time, trying to integrate the rock style into Rei Ayanami's styling, the resulting effect was unexpectedly exhilarating. Actually, when I first got this outfit, I was wondering how to combine that original aloof temperament with the expressive rock elements. The final decision was to use the costume's tailoring and accessories to emphasize a kind of icy explosive power. The wig was chosen in a grayish-blue tone with a bit of layering; since the original design's hair is quite smooth, to match the rock feel, I intentionally added some messy hair flow at the ends and the top of the head, using hairspray to fix the arcs so that it not only looks more layered, but also fits the uninhibited feel of rock music. The bangs were trimmed for a long time to ensure they slightly cover the eyes without affecting vision and shooting results.
The eye makeup used red blending, paired with red contact lenses, which stands out particularly sharply against the cool-toned base makeup. When shooting, lowering the gaze slightly brings out that sense of alienation. To emphasize the rock feel, the eyeshadow area was slightly larger than usual, blended naturally to avoid looking too stiff. The base makeup used a whiter shade to add a bit of unusual coolness. The costume details are really abundant: that oversized grayish-blue jacket has a very structured sleeve cuff design, coupled with the red straps on the arms, creating a strong visual tension. The straps are made of glossy leather material, and when tying them, I intentionally left a small gap to enhance the three-dimensional feel. The tie design is also very special, slightly loosened to add a hint of laziness and rebellion. The grey ribbed inner layer inside has a great texture, and the frayed edge design makes the overall layers richer. The hat is the finishing touch; once worn, the aura of the whole person changes, giving a feeling of being ready to go on stage at any moment.
The shoot was chosen in front of a pure white background with very bright lighting—a key light plus two side lights—which highlights the overall color contrast, especially the collision of the three main colors of blue, white, and red. I tried my best to maintain a low-pressure state with my gaze unfocused. Rock doesn't necessarily have to roar; standing quietly like this, yet with a sense of power ready to burst out at any moment, fits the character's traits even better. When posing, the shoulders shouldn't be too relaxed and need a slightly held-up feeling, and the hand actions should also be kept in the chest area to look more concentrated. At the shooting site, to match the pure white background, the contrast between the blue and red of the costume was pushed exceptionally high. To ensure the jacket's silhouette didn't collapse, some small support pads were added inside so that the shoulder lines looked good in photos. The red leather buckle on the arm also needed to be adjusted to the optimal position to ensure highlights from all angles. Actually, the layering of this styling is extremely strong; from the hat, tie, jacket to the inner layer, every layer needs to be smoothed out, as even the slightest wrinkle affects the overall texture, so constant readjustments were needed between shots. The overall concept this time was to break the aloof image and present it in a tougher, more rhythmic visual way. Through some leather elements, such as chokers, armbands, and belts, the rock-specific texture brought by metal and leather was enhanced. This attempt really gave me a new understanding of the character; it's not just a restoration, but also a creation.