Since we chose a church setting to shoot Makima, the overall tone of the temperament was set between solemnity and mystery. However, distinct from the original anime's oppression in a formal suit, this time I tried a self-styled black-and-white long robe look, combined with a large area of cross elements and a pure white collar edge design, hoping to display her ultimate control hidden beneath a calm exterior. The wig was specially handled with straight bangs and side braids, which, paired with warm brown contact lenses and clean base makeup, visually amplifies that enigmatic, cold temperament.
The shooting location was at the Half Orange Dimension Photography Base, where the stained-glass windows and wooden benches were a stroke of genius. The afternoon light filtered directly through those stained-glass patterns onto my face, creating beautiful light spots and an interplay of light and dark, with absolutely no need to forcefully add large fill lights. Encountering a scene so perfectly aligned with the theme yields high efficiency for portraying characters with a religious or Gothic vibe. When collaborating with the photographer @LinShu_ on site, we didn't actually intentionally strike many overly exaggerated poses. Precisely because of the character's setting, many of her emotions are introverted, so I preferred to use my gaze and subtle body language to convey messages.
Among the images selected this time, some chose shots of sitting quietly on a bench with hands naturally folded in front, cooperating with that naturally projected side-backlighting, making the whole person look serene and unapproachable. The shushing gesture gave the frame a stronger sense of interaction, as if she were using this silent way to remind viewers to 'be quiet'—perhaps an unexpected occurrence would happen in the next second. There was also a positioning that cooperated with the foreground candles; the warm glow of the candlelight neutralized the coldness of the large area of black on my body, adding a layer of storytelling that blends with the background.
The outfit put together this time actually required a lot of consideration regarding details. The drape of the white fabric itself had to be excellent, and paired with the lace trimmings on the edge of the black skirt, it couldn't look too clumsy, otherwise the framing would look messy. Plus, the size and position of the cross were repeatedly adjusted several times until they looked coordinated in front of the lens. The on-site photographer Lin Shu was great at grasping natural emotions, capturing many expressions in a split second. This sense of oppression flowing out from a relaxed state is often more convincing than a forced pose.
Actually, the biggest difficulty in shooting Makima lies not in replicating her appearance, but in how to let readers feel the character's unique aura of being both loved and feared through static photos. Although this attempt didn't replicate the iconic outfit from the original work, interpreting it with this type of religious-vibe clothing instead sparked a different chemistry. Every different style attempt on the same character is a brand new experience. Being able to present a character in a style I like, with the addition of a professional photography studio and a photographer, made the whole process highly enjoyable, providing excellent inspiration for anyone considering a Shanghai photoshoot booking. I look forward to conversing with the lens next time.