[Sangonomiya Kokomi cosplay] Even the Swimming Fish in the Water Have Their Own Direction - Image 1
[Sangonomiya Kokomi cosplay] Even the Swimming Fish in the Water Have Their Own Direction - Image 2
[Sangonomiya Kokomi cosplay] Even the Swimming Fish in the Water Have Their Own Direction - Image 3
[Sangonomiya Kokomi cosplay] Even the Swimming Fish in the Water Have Their Own Direction - Image 4

This shoot features the character Sangonomiya Kokomi. Since she is a character with a Hydro element outfit in the original setting, we put a lot of thought into the studio's layout, heavily utilizing blue flower clusters, translucent suspended jellyfish models, and floating transparent bubbles, coordinated with cool blue ambient lighting to create a dreamlike sensation of sinking to the bottom of the water or standing amidst the ripples of the Sangonomiya Shrine.

For the hair and makeup, I wore a platinum blonde long wig, styled with slightly thick and curved bangs, along with her iconic high ponytail. The makeup deliberately went for a clear and clean style, enhancing the three-dimensionality of my facial features while matching the character's temperament to look soft yet spirited. The costume is a blue-and-white color-blocked off-the-shoulder style, with white borders and deep blue stripes on the cuffs, adorned with pearls and yellow elements, and the blue water-drop gem on the neckpiece serves as a finishing touch. When putting on this outfit, one can instantly feel that cool yet gentle quality of the character.

I really love the composition of the first look-back shot, where the hair strands present a soft halo under rim lighting, and combined with the water vapor and special effect rendering, the frame holds a wonderful sense of layering. During the shoot, to keep the details of the wig and clothing perfectly in place, the team and I repeatedly adjusted the lighting angles on the set. The refraction of light and shadow on the bubbles and petals was key to whether the entire series could present a translucent texture.

As for the third mid-shot close-up, it leans more towards showcasing the person's temperament itself, enhancing the specific atmosphere through the character's gaze and hand movements. The overall shooting process this time was very smooth; because the early matching and scene props held a relatively high level of accuracy, the shoot could focus more on expressing the character's personality. 'Even the swimming fish in the water have their own direction.' This sentence is actually not just a character line, but also represents a state of being. As a coser, I also try to experience her state of mind when doing this role-playing game character recreation.

Because preparation for this formal photoset took a long time, the details were handled very meticulously; fixing the accessories and arranging the jellyfish props took a lot of energy. Although it was a bit tiring and I sweated a lot on the day of the shoot, seeing the final turnout made everything completely worth it. I hope everyone can feel the crisp, gentle, yet resilient power conveyed in this set of photos. Many times, role-playing is not merely about wearing similar clothes, but about drawing close in appearance and temperament, gaining a bit of insight into the character's inner self. Being a coser for a long time, one realizes that every photoset carries its own distinct meaning. To me, this photoset was an immersive process of experiencing the charm of a character with a Hydro element outfit. In fact, the shooting environment was very noisy, but it is always quiet in the photographs. The final color grading maintained consistency between warm and cool light, making the color atmosphere more unified. I believe the moment you receive the finished photos, this happiness is genuinely real.