This shoot was chosen in a minimalist white indoor space, where the metallic-textured tree-shaped installation and the reflection in the water pool happen to set off the layers of the blue and yellow color-blocking on Navia's costume. The wide brim and ruffled lace of the hat really test its shape retention. With the blue and white pieced dress body plus the semi-translucent sleeves, wearing the whole set actually takes quite a bit of time to adjust the details. What I am most satisfied with is that vintage patterned umbrella; the opening angle of the ribs and the yellow ruffles on the edge happen to echo the skirt hem. Paired with the high-heeled short boots and patterned stockings, standing on these steps makes one's center of gravity and posture much more upright. To prevent the canopy from blocking the light on my face, the photographer specifically adjusted the side-backlight angle, preserving both the layers of the skirt hem and the flower embellishments on the hat. In terms of makeup, I focused on handling the contours of the eyes and brows as well as the saturation of the lip color, ensuring it still has a presence in front of the highly bright white background. Since there is water on the floor, I had to be extra careful with the slip resistance of the boot soles when walking, but the water surface reflection in the final images definitely increased the extension of the frame. Although the overall setup is minimalist, through the costume's color contrast and posing, it still manages to recreate the character's elegant yet slightly tsundere temperament in this Fontaine style look. I will continue to try similar stylized shoots in different architectural settings; every real-location shoot actually presents new challenges for the costumes, makeup, props, and on-site lighting control.