This shoot for the Delusion Angels from Zenless Zone Zero was set in a studio filled with vintage TVs and metallic fringe curtains, paired with purple lighting to create a distinctly retro-electronic vibe. The three characters featured are Sunna, Aria, and Nangong Yu. Because their visual traits differ substantially, we spent nearly two hours on hair and makeup fine-tuning wig positioning and eye colors—Sunna's black-to-pink gradient, Aria's long pink hair, and Nangong Yu's white-and-green palette—striving to accurately recreate their in-game designs.
The drum set, guitars, and vintage screens scattered across the set served as wonderful interactive props. To highlight the Black stockings and thigh ring details of Sunna's costume during the shoot, we experimented with squatting and side-lying compositions, using core strength to support posture and elongate leg lines in perspective. At the same time, the rugged texture of the leather boots contrasted against the soft drape of the skirt under the lights, while the cross-straps along the chest stood out crisply in relief. The skull prop beside Aria and the red megaphone in Nangong Yu's hand also balanced the frame nicely.
To capture team chemistry among the trio, we practiced coordinated poses multiple times, including hugging our knees while exchanging glances and gesturing together. Camera placements were meticulously planned: low angles required careful attention to ensure the skirt stayed secure while clearly displaying leg accessories, whereas higher angles gave full-body shots a dynamic stage presence. Post-processing focused on managing color shifts from the purple ambient lights to preserve the cool tone; textures of the Black stockings and leather were kept crisp without excessive softening to retain genuine specular highlights, while subtle vignetting around the skin emphasized that cyberpunk neon glow.
The most exhausting part of the shoot was holding large-scale poses, such as balancing on one foot together or half-squatting while maintaining focused facial expressions. Despite the physical fatigue, this interactive energy conveyed the idol aura intrinsic to the characters. Adjusting to the light direction often required leaning sideways to best flatter leg lines, taking over ten continuous shots to pick one frame with optimal lighting and posture. With thorough preparation, the shooting rhythm flowed smoothly, yielding high visual and compositional polish in the final images. Wearing heeled tall boots and tight straps for four hours left my feet aching, but achieving the desired result made every minute worthwhile. This shoot provided a memorable experience and deepened my practical approach to portraying rebellious, wasteland-styled characters.