[Sunna cosplay] Zenless Zone Zero double practice day - Image 1
[Sunna cosplay] Zenless Zone Zero double practice day - Image 2
[Sunna cosplay] Zenless Zone Zero double practice day - Image 3
[Sunna cosplay] Zenless Zone Zero double practice day - Image 4
[Sunna cosplay] Zenless Zone Zero double practice day - Image 5
[Sunna cosplay] Zenless Zone Zero double practice day - Image 6

Today's main task was to refine the action details of this outfit. The costume features an immense number of accessories, taking quite a bit of time to put on. The white short-sleeved shirt has a crisp, structured fit, paired with a red star tie and a black leather choker, concentrating the overall visual focal point. To make the arm lines look more rich, I wore pink-and-white striped knitted arm sleeves, and strapped pink hollow-out leather straps and small black belts onto my thighs. Combined with white Stockings and slouch socks, although a strong sense of layering was achieved, any wide movement during shooting caused the straps to easily slip out of place, requiring me to look down and readjust after finishing each pose.

The pink retro telephone-shaped backpack on my back is the key prop this time; it's not lightweight, and carrying it either by hand or on my back consumes quite a bit of stamina. To match the lively and playful style of this outfit, most of the poses designed for today were quite dynamic. There were single-leg standing poses holding the backpack, high kicks and leg extensions, as well as half-squatting and sitting postures on the ground. Especially for the single-leg hopping actions, core engagement was essential to maintain balance, all while managing facial expressions so as not to look overly strained. Since there was no dedicated photographer today, all the photos were shot entirely by myself. Running back and forth to set up the camera, adjust shooting angles, and then dash in front of the lens to strike poses consumed a lot of energy on its own, but it also conveniently fulfilled today's physical training quotas.

The industrial-style architecture on-site had an amazing vibe; the huge steel-framed ceiling and smooth concrete floor provided wonderful light reflection. During the shoot, I deliberately tilted my body slightly or adopted asymmetrical poses to better showcase the skirt's layering and leg lines. That black glossy multi-layered ruffled miniskirt created a wonderfully agile and fluid wrinkling effect when spinning or kicking. Since I was shooting myself, the composition had to be pre-planned in my mind, reserving space for post-processing crops, though the direct-out-of-camera unedited raw shots were already quite satisfying.

When shooting characters with athletic settings, the choice of shoes is equally important. Although white platform wedge shoes can add a bit of height, walking in them requires a certain level of balance, which, combined with the stacked striped socks at the ankles, visually elongates the leg proportions. Performing aerial maneuvers on indoor hard floors requires a slight knee bend for shock absorption upon landing—these details are also key to protecting oneself from injury. Every press of the shutter is an exploration and adjustment of the character's state.

In reality, bringing a 2D character into real life relies not only on the fidelity of costumes and props, but more importantly on the alignment of expression and posture. Today's practice gave me a deeper understanding of the constrictive feel of this outfit, which will also help me avoid poses prone to wardrobe malfunctions during future shoots and find more suitable shooting angles. Every high kick and every jump is meant to let the character's vivid vitality flow naturally before the lens. Moving forward, I still need to practice arm placement and gaze landing points more in front of the mirror, striving to make my movements cleaner and sharper in the next official shoot to present an even more satisfying frame.