For this Azur Lane Unicorn Cosplay shoot, many friends have been asking about the details of the makeup and props, so I might as well give a combined reply here. First is this white dress; its main body is made of a rather dreamy sheer gauze material, and I specially selected layered frills and lace that can reveal a soft glow under the reflector. The golden unicorn emblem on the chest was custom-made, cross-referenced with details in the original illustration, and its position and proportion were adjusted several times before I was satisfied. The wig is light purple; to recreate that lightweight texture, some excess hair strands were trimmed off to make the curve of the bangs and sidelocks fit the character design better.
Regarding the props on the day of the shoot, many people probably noticed the unicorn plush I was holding. I hand-stitched it a bit and replaced the stuffing with something softer, so it looks nice and plump when held, making the captured vibe even cuter. The trumpet is actually a prop model, but its surface was sprayed with a metallic texture, making its reflection look quite realistic when light hits it. The European big clock and white Roman pillars in the scene, along with the draping sheer curtains, completely maxed out the atmosphere on set. When communicating with me, the photographer mentioned wanting to shoot a dreamy fairy-tale feeling, envisioning Unicorn waking up in front of a clock in something like an abandoned tower.
Since it was an indoor set shoot, the lighting setup was quite particular. A high-power flash was used as the main light source, coordinated with a white reflector hitting the face to brighten up the skin tone and make the eyes look more spirited, as if real light were filtering in. For the makeup, the overall tone leans soft; the eye makeup uses a blended layering of pale pink and light purple eyeshadow, with the corners of the eyes elongated slightly to increase the anime feel. The lipstick chosen is a matte nudish pink, ensuring it wouldn't steal the spotlight from the costume and hair. The white gloves are a classic match, adding plenty of variation when posing.
We shot for about three hours, changing camera positions several times in between. Actually, the few shots holding the trumpet heavily tested hand strength; it couldn't look too stiff or too limp, so I tried my best to relax my wrists to simulate a natural feeling of picking up an instrument. This time I collaborated with my familiar old partner, who has highly precise control over the style and could capture many vivid and spontaneous moments. Like the sitting one chosen at the end, the expression is relatively quiet, which is the exact state everyone sees in the official photos. I am so glad to present a character I love through cosplay; it was a highly meaningful photography sharing experience.