This time for the Wuthering Waves Hsin styling, almost every detail from the base to the accessories was meticulously polished by myself bit by bit. The most satisfying part is that pair of white plush animal ears on top of the head; to make them stand upright under the sunlight and have a natural fur texture, I tried several support structures, padding them with stiff lining and securing them firmly with a wig net and bobby pins. The gold stars and red fruit embellishments on the hair accessories were materials prepared long ago, and coupled with the white wig looking very translucent under the sunlight, it was prone to getting messy when the outdoor wind was strong, requiring constant grooming and plenty of hairspray and clips to maintain the fur texture.
The red mark on the forehead and the eye makeup were adjusted several times. To match the overall white hair and the red, black, and gold clothing color scheme, the eyeshadow used a pink-brown tinted palette, combined with circle lenses, aiming to highlight that mysterious yet somewhat agile feeling. The border of the red lips was treated relatively clearly, and showing a slight smile when taking pictures makes it quite approachable, while the highlights around the eyes were applied very meticulously to ensure that under strong light, the camera doesn't wash out the makeup too severely.
This black-and-white pieced corset costume is truly a test of wearing experience. That sapphire on the chest paired with the red ribbon is visually very eye-catching. Coupled with the draping golden chains, any slight movement produces reflections, and the combination of metallic branches and the dark patterns on the clothes creates a very strong sense of layering. To maintain the original silhouette of the outfit, the straps in the back had to be tightened before the shoot; although there was a bit of constriction, the photo output effect makes it worth it. The edges of the wide red sleevelets also feature white plush, forming a wonderful echo with the animal ears on the head.
The high-slit skirt hem makes the overall styling more flowy and also moderately showcases the leg lines. The sunlight was very strong during the outdoor shoot, creating a sharp contrast of light and shadow on the body. The first picture features a V-sign gesture, intended to make the frame look more relaxed. The second picture places the hand next to the ear to simulate a fox's paw, though attention must be paid to wrist strength to keep the lines looking good; holding the arms up for a long time to strike poses actually makes them quite sore, but seeing the imagery on the camera screen makes me feel I can hold on a bit longer.
While shooting this set of pictures, my mind was constantly pondering what kind of body language to use to match this heavy-work costume. Because the sleeves are very large, overly wide arm movements can easily look messy, so I mostly controlled the amplitude of my movements. Overall, I have always had a fondness for fox-type characters, and being able to materialize Hsin this time made the whole process tiring yet quite fulfilling. I feel that cosplay is not just about putting on clothes and taking pictures, but also about experiencing the character's posture and expressions. This time, to recreate that light and mysterious feeling of a fox, a lot of effort was put into the details of the gaze and fingers. The high-slit design of the skirt hem is actually quite convenient for movement, but one also needs to constantly pay attention to deportment in front of the lens. I hope this photoset shot under strong light can accurately restore the character's unique temperament, and it can also be considered an account of my recent efforts.