The phrase 'Mountain Gate Entrant' serves as a guide for the background of this outfit. To match this theme, I chose a studio with a rich Oriental classical charm for the shoot. The studio was floored with tatami, behind me was a circular screen painted with folded branches of flowers and birds, and a wooden lantern was placed on the side, giving the overall environment a great sense of texture.
The core of this outfit lies in the intense contrast between the black glossy patent leather material and the pure white lining. The patent leather surface possesses a high reflectivity rate; when worn, the waistline and sleeves of the clothes present a fluid refraction under the lighting. The neckline is a simple white shirt base, topped with a glossy blue rose-shaped ornament, injecting a prominent visual anchor into the black-and-white color combination. The treatment of the cuffs is also quite special, with black rigid leather gauntlets alternating with the white lace trim of the inner wear, adding layers to the details. To achieve the best visual effect, putting on this outfit takes quite some time, especially since the patent leather fabric creates special folds when joints bend, requiring repeated adjustments to make the styling look natural rather than stiff.
To fit the character's white hair setting, I chose a styling with a high cranial top and a half-bun. Accompanying the silver-white long hair is a simple black hairband on the forehead; this minimalist black-and-white headpiece makes me look sharper. In terms of makeup, I intentionally enhanced the concentration of the eyeshadow, using red-orange eyeshadow and an eyeliner pen to outline a sense of depth, paired with vibrant lipstick to ensure the face maintains distinct color saturation under strong lighting, preventing the black-and-white clothes from stealing the show. The shape of the eyeliner was also repeatedly refined to coordinate with the gaze in conveying a cold and focused temperament.
Interaction with props and the scene occupies a large proportion of the shoot. The Go board on the low table is a classic Chinese-style element. Utilizing the action of flicking the black and white chess pieces can create a sense of dynamics in the frame. The black folding fan held in hand during the shoot is also a great matching weapon; whether opening or closing it, it makes the arm posture more vivid, especially the posture in Photo 2 where the folding fan is held—one hand lightly touching the table, and the overall form is highly balanced. I also specifically selected some notebooks with curled edges and scattered them in the frame; these paper props, paired with the texture of the tatami, formed a rich visual texture layer, adding a bit of daily life and spontaneity to the otherwise regular studio shoot.
The light arrangement in the studio mainly relied on the wooden lattice windows and lantern light sources. The photographer captured excellent grid-like shadows, which were cast dappledly onto the tatami and myself, instantly maximizing the texture of the photos. Since the plum blossom branch pattern on the background wall had a very layered feel under the light, I considered the relative position to the background frame during many of my standing positions. The warm light from the side lantern became the contour light for the character's side, beautifully separating the white hair from the dark environment. Highlights hitting the black glossy clothing formed clean white reflection strips, which is exactly the charm of patent leather material.
To balance the overall clothing and standing posture performance, we attempted many poses during the shoot. The standing posture in Photo 4, where my back is to the lens, perfectly showcases the cloak-like rear hem draping from the shoulders, as well as the conspicuous seam line on the back of the stockings; this type of detail often enhances the exquisiteness of the photo inadvertently. When sitting on the low wooden couch, I chose a crossed-leg posture; this sitting position not only elongates the legs visually but also avoids piling up at the hem. Whether it's this lazy sitting posture or the kneeling pose with knees curled, paired with black high heels and stockings, they all generate great chemistry with the exquisite patent leather jacket, expressing a unique aura. Every press of the shutter is a micro-adjustment of posture and light, striving to restore the frame in that scene from my mind. This is a small record of the time in the studio today.