Preparing for this Fate/Grand Order Jeanne d'Arc (Alter) cosplay photoshoot took quite some time, from location scouting to outfit coordination. The concept was centered around a dark Gothic style, so we chose an indoor Retro scene filled with vintage books and leather sofas. Photographer Da Gouzi had an exceptionally professional grasp of lighting; during our discussions, we decided to use expansive shadows to bring out that mysterious yet commanding aura.
Let's talk about the costume details. This Jeanne d'Arc (Alter) dress features an obsidian black base spliced with eye-catching purplish-crimson ruffles and cuffs, creating an intense color contrast. The neckline was accessorized with a black lace choker, and to match the character's temperament, I specifically added black Stockings with red ribbon bows tied around the legs. The wig was voluminous blonde-white long curls, topped with a red-gemstone-accented headpiece. To give the wig rich texture on camera, I used ample styling products during prep to prevent any flyaways.
The first set of shots was taken seated at the study desk, using an antique brass telephone as a prop. This posture was actually tricky to nail: resting the upper body weight against the desk while keeping the arm lines fluid, holding the receiver in one hand while letting the other drape naturally. To channel that languid yet perilous vibe, I leaned forward slightly and gazed directly into the lens. The warm amber side light contoured my face beautifully while giving the black Stockings extra depth in the low-key lighting.
For the second set, we moved to the red leather sofa. This time, I switched to a long pole prop crowned with a crimson ornament. To convey the character's contemplative, melancholic mood, I cast my eyes downward, gripping the shaft with both hands while letting the voluminous skirt hem and locks of hair drape naturally across the sofa. Shooting in such an expansive scene tests prop weight and endurance—especially in heels and an elaborate petticoat, where constantly adjusting my center of gravity was necessary to keep the composition stable.
The entire shoot went smoothly; Da Gouzi intentionally left generous negative space in the shadows, giving the frames room to breathe. As a cosplayer, I feel that shooting a proper set isn't just about putting on an outfit and striking poses, but immersing oneself in how the character exists within that environment. Vintage props like the retro telephone and golden candelabra enhanced the narrative depth. I'm personally thrilled with the final cuts, particularly the light reflections on the black and purplish-crimson fabrics, which achieved the visual tension I envisioned. Hope this record provides inspiration for everyone who loves this Gothic style!