This finished set of Xishi cosplay is finally ready to share with everyone. Today, I'd like to talk about the creative vision and the shooting process behind it. When thinking of Xishi, many people's immediate impression might be pure innocence or lively charm, but the moment I received this costume, the concept of a mature woman (Onee-san) kept lingering in my mind. Characters in Honor of Kings are grounded in rich 2D aesthetics, and in this finished set, I wanted to break away from conventional impressions to present a Xishi carrying an aloof, poised Onee-san aura.
First, discussing the hair, makeup, and costume: for the wig, I selected long, straight silver-white hair with blunt bangs. To accentuate the mature woman demeanor, the eye makeup was deliberately intensified with pinkish-red tones paired with pink contact lenses, giving my gaze a blend of gentleness and detached coolness. The translucent branch-like headpiece atop was the soul of this styling; securing it firmly took considerable time to ensure attachments remained hidden across every camera angle. The costume features a white-and-green color palette: the gold metallic ornaments on the chest and the cyan-to-white gradient skirt layers offered rich visual depth against the pure white cyclorama background. To enrich the composition, I also prepared a clear glowing orb radiating soft blue light as a handheld prop.
My mindset on the shooting day was very relaxed. Unlike formal, rigid studio sessions, I prefer finding the groove in a relatively free environment; this pure white shadowless background was chosen specifically for a pristine, minimalist backdrop, directing all visual focus toward the subject. The first setup featured sitting on the floor with legs crossed. The white-and-green gradient leg warmers and white greaves absorbed considerable light before the lens, so I conferred extensively with the photographer about lighting setups, ultimately choosing bright, even high-key illumination. This not only emphasized the chromatic contrast of the attire, but also rendered skin tones exceptionally luminous.
As a cosplayer, stepping before the lens is always a process of character immersion. I usually listen to a few tracks matching the character's mood before rolling to quiet my mind. For the gesture lifting the blue glowing orb in my right hand, I rehearsed it mentally countless times. Because the orb emits its own glow, it easily blows out against a white background, demanding delicate control over hand positioning and light angles. Resting my left hand gently over my chest with subtly lowered eyelids helped capture an effortless, unforced composure carrying its own inherent presence—fitting our intuition-first theme seamlessly.
Shooting this set was quite physically demanding, as working on a pure white cyclorama requires testing numerous angles. Sitting appears effortless, yet maintaining an erect posture while stretching out natural, elegant leg lines takes substantial core engagement. During breaks, I continuously monitored playback to adjust the curve of the wig strands and the placement of accessories, swapping between varied eye directions—from commanding direct eye contact to relaxed, detached glances away from the lens. Through this set, I hope everyone sees how characters can embody multifaceted styling beyond traditional 2D archetypes.
Every phase of this finished set, from early preparation to final color grading, involved immense dedication. Refining makeup nuances, adjusting costume fittings, and repeatedly exploring the mature woman vibe before the lens was tiring yet deeply enjoyable. Photography is far more than pressing a shutter—it is sculpting character depth with light and shadow. This endeavor gave me a much deeper appreciation for the character. I will continue exploring diverse visual expressions moving forward, bringing everyone more thoughtful, stylized finished sets.