The Cosplay convention photos from CP31 are finally organized. The core idea behind this set was to maximize the lens language using the available venue conditions without setting up high ladders. Many people think that good cosplay convention photos require ladders for better angles, or that one must carry super-large props to make an impression. Through this practice, I found that the venue's structure, the ground material, or even a simple plush carpet, when combined with the lines of the character's costume, can achieve similar tension.
First, let's talk about the highlights of the Honor of Kings outfit. The blue-and-white color palette of this Flower Dance skin has an excellent texture under the venue lighting. The blue long hair paired with bunny ear headgear, along with the roses on the skirt and waist, formed a complete visual unity. The dress tailoring uses a multi-layered asymmetrical design, combined with the one-sided sock cover featuring textured blue-and-white gradient patterns, which visually extends the center of gravity downward. On the day of the shoot, I paid special attention to the contrast between the sock cover and the bare leg. Under the reflection of the floor, this asymmetry became a highlight of the frame, avoiding the dullness that a full blue palette might otherwise bring.
Regarding the planning of poses, since the prop is a foldable flower-shaped fan, I chose to carry it on my shoulder or hold it as an extension of the background while standing, which naturally stretches the overall silhouette. For sitting poses, in addition to the conventional cross-legged posture, I also tried poses with legs lifted or stretched forward. Spreading a white plush carpet on the smooth exhibition floor prevents the clothes from getting dirty and also uses the pure white mat as a reflector to provide front lighting, making the makeup and skin tone look very translucent.
Light is a key factor in actual shooting. The indoor venue at CP31 had many strip-shaped light fixtures on the ceiling, with large white walls and horizontal beams in the background. Photographer "Tang Zhidao" utilized the natural light from the venue's windows combined with the overhead lights, intentionally preserving the overhead light source in shots where I looked back or stood sideways, creating natural contour highlights that made the blue wig and the fuzz on the bunny ears appear to glow.
Although I didn't use a high ladder, I actually feel that the standing poses shot this time are more natural and grounded. During the shoot, it's necessary to pay attention to the center of gravity at all times, especially when exerting force on one leg or rotating/looking back while wearing restrictive clothing. Keeping the shoulders level and the neck leaning back helps effectively avoid breaks in the waistline, which is the most practical insight I gained from this set of CP31 photography. The whole set of pictures does not rely excessively on special effects or heavy background blur, clearly recording the sewing details of the costume and the layering of the props. For friends who want to explore good poses, you really don't need to be obsessed with ladders. Making good use of existing venue elements, finding white carpets, low-angle upshots, or high-angle downshots combined with prop obstruction can all make the frames full of variety. The post-production of this set did not use exaggerated filters, focusing on a clear and realistic style. I feel these Cosplay convention photos have more vitality of the scene.