When shooting this version of Altria from Fate, considering the temperament of the original design, I deliberately prepared many white chrysanthemums as foreground elements. Since I knew I'd be retouching the hair and makeup in post, I chose this pure color palette to tie everything together.
The white shirt and dark blue ribbon are the focal points of this styling; I tied and retied the bow position and length several times to get it sitting just right. The sword hilt prop was actually quite heavy and shifting directions while holding it took real effort, but I pushed through with the poses to give the frame a narrative depth.
The wig was pre-styled, and to make it hug the face shape, I used hair wax to press down the sideburns for a while, ensuring they wouldn't collapse. This blunt bangs and bob cut combination heavily relies on how well the wig cap fits, so I spent a good amount of effort trimming the base net.
Makeup highlighted the green contact lenses and porcelain-fair foundation, using a reddish eyeliner pencil to softly smudge the outer corners of the eyes for a touch of depth. The lip color was a glossy, vibrant red to make it pop under cool lighting.
This series was mainly shot indoors using soft lighting, with light reflections giving the skin a translucent look. Especially for the profile shot, adjusting the jawline angle helped align the overall temperament more closely with the character. The straight-on shot used the blurred foreground flowers to naturally focus all visual weight on the character's gaze and facial details.
Because this look leans toward an academic uniform style, I adjusted my expression during the shoot to convey a somewhat aloof, solitary vibe. The stiff collar of the white shirt paired with the bouquet kept the overall atmosphere clean and minimalist.
Shooting sessions that require strict control over expressions and posture are quite demanding on stamina, as you need to maintain a natural physique without looking stiff. Posing with the sword hilt and flowers particularly required adjusting hand pressure multiple times to avoid looking overly staged.
Post-processing focused on maintaining a cool white skin tone while retaining the texture of the fabric and individual hair strands without resorting to exaggerated warping or heavy blurring. Recording a pure and clean style like this demanded intense focus throughout, and I'm glad to share some of my makeup and styling ideas for everyone to exchange notes on.