The photos from this Reimu Hakurei shoot taken under the cherry blossom trees in late March are finally edited and posted! As a classic red-and-white shrine maiden character in Touhou Project, this Cherry blossom outdoor scene was actually completed in late March. Having spent the past month struggling through the final stretch of my graduation thesis under high pressure—searching literature and fixing formats daily—this spring-infused photo set remained sitting on my hard drive. Now that my thesis is finally submitted, I have the time and energy for post-processing to neatly organize this spring-edition shrine maiden memory.
The core of this makeup and styling lies in combining the red-and-white color scheme with shrine maiden elements. For the attire, I chose a classic wide white collar with red zigzag geometric patterns along the edges, making it visually distinct. The yellow neckerchief in front adds a bright, lively layer to the overall understated palette. For the hair, the bangs and side locks were carefully adjusted in length, secured with red-and-white cylindrical ornaments on both sides, and topped with a fluffy red bow to naturally recreate the character's aura. The light on the shoot day was fantastic, turning the soft pink cherry blossom grove into a natural backdrop.
To recreate the shrine maiden look from the character setting, I brought a Gohei wand and paper charms as props for this Cherry blossom outdoor scene. The pose in Photo 2, gently touching a cherry blossom branch with one hand, was a natural moment captured during filming that framed my side profile through the petals. My personal favorite in the set is the full-body photo on the stone pillar in Photo 4. Wearing the red-and-white Shrine maiden outfit and black Mary Jane shoes, with White stockings with lace trim peeking out under the skirt alongside white ribbons blowing in the wind, it delivers both character vitality and a clear view of the outfit's outline and texture.
Organizing the site during the shoot was quite a challenge. Because it was peak cherry blossom season, the local park had heavy foot traffic. To avoid crowds and get a clean flower backdrop, the photographer and I arrived before 6:00 AM to finish shooting before the park fully opened. However, the wind was very strong that day, causing the wig and long ribbons to fly wildly, creating quite some trouble at first. Fortunately, during moments with just the right wind speed, we captured dynamic fluttering moments that kept the photos from feeling static.
For post-processing, I initially deliberated over applying a heavy warm filter. Ultimately, considering the true feel of Reimu Hakurei, I chose a low-saturation color grading approach focused on preserving the natural pinkish-white of cherry blossoms and the vivid red of the Shrine maiden outfit. Editing mainly focused on removing fabric wrinkles and minor cleanup of messy branches in the flower background, keeping the image clean and clear without adding complex light effects to showcase an authentic spring atmosphere.
Honestly, this shoot was a relaxed and enjoyable outdoor experience. Without complex studio lighting, I just walked around under natural light with my props, experiencing what it feels like for a shrine maiden to stroll through cherry blossoms. The cool late-March spring breeze and sunlight resonated strongly with the character's personality. As a long-time fan of Touhou Project, being able to complete this photoshoot during busy pre-graduation days serves as a spring-scented conclusion to that intense thesis period. Recently, I'll focus on editing other outdoor photos and planning my graduation trip, hoping to continue this immersive expression in future work.