The venue lighting at the Shenzhen International Animation and Game Festival was actually quite harsh; while the reflective flooring at the convention venue made it easy to capture reflections, it also heavily tested focusing accuracy. Cosplaying Qingque from Honkai: Star Rail this time, the costume incorporated extensive off-the-shoulder and wide-sleeve elements paired with contrasting teal-green and gray-black tones, which placed exceptionally high demands on the wig's layering. The light-blonde braided hairstyle required internal padding to achieve proper volume; otherwise, the twin side braids could easily look too thin. Black ankle boots grounded the entire outfit, with their white sole edges creating a striking visual anchor against the venue's dark-blue flooring.
For props, I specially customized weighted white tiles, hand-painting the blue glyphs stroke by stroke so that whether tossed or held hovering in hand, they would exude authentic texture in photos. During this shoot, I experimented with several different body postures. The one-legged standing pose in the first photo was quite challenging to manage, requiring core engagement while directing the natural flow of the skirt and coat sashes to avoid unintended exposure or messy fluttering. When holding the props with arms outstretched, I deliberately pinched the edges of the tiles with two fingers while keeping my breathing steady, preventing the wig edges from shifting and keeping my facial expression taut and refined. Under the strobe flash, the geometric jacquard patterns on the coat's dark sections and the cyan water-ripple prints displayed distinct, crisp layering.
The temperature was relatively high at the convention that day, but keeping the costume silhouette structured required the inner lining and off-the-shoulder cuts to stay snug and flat against the skin—truly a test of cosplayer endurance—so I'm grateful to the photographer for capturing shots so swiftly. With massive crowds at the Shenzhen International Animation and Game Festival, carving out a relatively calm area with a dark backdrop was no easy feat. The photographer utilized a wide aperture to suppress the cluttered crowds and background lighting, retaining only a few teal overhead lights from the hall ceiling, which harmonized beautifully with the costume's primary palette and created a complementary warm-and-cool contrast with my skin tone.
The fine details of this costume are well worth appreciating; for instance, the four-petaled metallic buckle at the waist needed its surface sheen distinct from the wig's matte texture to prevent the visual focal point from blurring. The layered lower skirt panels create completely different visual volumes between standing and seated poses. I particularly like the candid snapshots of the seated pose and the one-legged stance, as the natural extension of the legs allowed the structured ankle boots to complement the cascading drape of the skirt. For fleeting shooting opportunities at conventions, I typically choose afternoon intervals when the main venue lights intersect—the rim lighting across the face becomes noticeably softer then, eliminating the need for heavy post-processing shadow recovery and leaving the Convention photos remarkably clean and translucent.