The focus of this Amiya shoot lies in that "egg" full of a sense of brokenness and the wasteland-like atmospheric setting. The entire cosplay photoshoot strictly follows the visual concept of the Demon King Rabbit; from the patterning of the costume to the texture of the props, it took a long time to recreate.
The costume uses a black-and-white tattered design, with the skirt hem in an irregularly torn shape. Paired with the sharp black geometric fragments attached to the arms, it pushes the overall visual toward a dark yet holy sensation. The rabbit ears of the headpiece have a slightly dark brown plush texture, while the mask decoration is composed of a rigid black material, balancing the weights just right.
The shooting venue was selected on the tidal flats beneath a large bridge. The weather wasn't particularly good that day, with a ton of mud and puddles on the ground, so I simply didn't wear shoes and walked around barefoot. Although the water was cold, to get close to the character's state of trudging through desolation, this real physical sensation actually helped me blend into the environment faster. That sticky feeling of stepping on wet sandy soil, paired with the massive concrete pillars under the bridge opening, naturally allowed an endless sense of loneliness and oppression to flow through this environmental portrait.
The key prop used in this set of photos is that "broken egg." A light source is built inside the eggshell, shooting dazzling white light out from the cracks. During the shoot, high coordination with the photographer was required to control the intensity and angle of this light source—neither allowing it to overexpose and turn the screen into a blank white wash, nor failing to let the light and shadow from the cracks truly project onto my face and clothing, creating a vivid boundary between light and dark.
I particularly love one of the backlit shots taken at dusk. The setting sun happened to fall within the gaps between my eyes and headpiece, creating a very beautiful colored lens flare on the lens. That warmth formed a sharp contrast with the character's own broken, lonely temperament.
As for post-processing, I strongly requested the photographer to preserve the original tonal contrast, skipping that overly "candy-sweet" over-brightened skin smoothing treatment. It keeps the dark areas of the environment deeper and makes the cracked light of the prop more piercing, maintaining a raw sense of reality. Because for a character with such a heavy backstory, I believe excessive sweet processing would ruin her original set design vibe.
Many difficulties were encountered during the shooting process, such as the prop being too heavy, and the rising and falling tides making the muddy ground increasingly slippery. However, the moment I saw the final cuts come out, the visual impact and the depth brought by the composition made me feel that all the hardships were worthwhile. Rather than just taking a photo, it feels more like re-interpreting the character's state of mind through visuals. I didn't need many exaggerated movements; just standing there, looking down at the egg in my hands—that quiet state was the best interpretation.
This wasteland-style photography shoot was quite a special attempt. From the outfit styling to the venue and then the lighting, we strove to make everything fit the narrative context of the character herself.