The photos completed in this convention venue had their costumes and props finalized just this morning. The black high-slit long dress, paired with a nun-style cowl with white borders, tactical buckles, and a corset, places the main weight of the costume on the layering below the chest. The fabric has an excellent drape and doesn't wrinkle easily, but it also increases the overall stuffiness. When wearing it in such a crowded convention venue, I had to move very carefully to avoid stepping on the trailing skirt hem.
The most eye-catching feature of this look is definitely that giant circular saw weapon. This prop uses relatively light materials, but its massive volume means holding it in a pose that doesn't look strained takes quite a lot of core strength. For the pose straddling the high stool in image 3, aiming to create a parallel or offset visual effect between the saw blade and the body, I adjusted my foot height and arm placement, trying it back and forth several times before finalizing the angle.
The primary light source on the day of the shoot was the rows of white spotlights above the venue. Since the light shone straight down, it easily created harsh shadows on the face. Fortunately, when communicating with the photographer, he specifically adjusted his position to bring in diffuse reflections from the side, softening the transition between the face and the highlights. Especially when capturing the half-body close-up in image 4, the catchlight effect shone brightly through the red contact lenses, sharply bringing out the intensity of my gaze.
There are many small details on the outfit, such as the metal buckles on top of my head and the slender gold chain on the chest. Though these accessories don't cover a large area, they serve as excellent accents within the overall black-and-white outfit. The wig used is a short white look. To wear the cowl properly, the underlying wig had to be flattened as much as possible to reveal the layers of the forehead and bangs, preventing the cowl from looking bulged and helping the makeup highlight the eye contours.
For the posing design, the seated shot holding the weapon in image 3 is the core highlight of this shoot. The leg lines revealed by the black boots and the high slit, paired with the straddling seated pose, beautifully extend the visual length. Meanwhile, the standing pose in image 2 and the gestured pose in image 1 are meant more to showcase the overall proportions between the prop and the person. Switching between these different angles allows the same outfit to project different auras.
The venue itself is a standard steel-structured factory-style convention venue with a reflective floor that mirrors the silhouettes of the person and props, providing a great foundation for post-processing color grading. In post-production, we primarily cooled down the tones and toned down the cluttered background colors of the venue to make the black-and-gray main subject pop out more. The convention was highly crowded with people constantly stopping to watch, so setting my mind to capture clean compositions in this environment heavily relied on the photographer's guidance and focus.
Wearing this gear for an entire day was a massive drain on physical energy, especially moving around the venue with that massive saw, which easily bumped into others. To guarantee the final results, I had to manage the distance myself most of the time. All in all, the final texture of this set met our original expectations, successfully recreating the character's cool yet high-combat-value vibe.