For this set of convention photos of La Pluma cosplay from Arknights, the very first step in retouching was cooling down the overall color temperature. To match the character's combat aura and the venue's innate industrial aesthetic at Firefly ACG Expo, I drastically decreased the saturation, lending the gray concrete flooring and truss ceiling in the background a stern, metallic texture.
The details of the props and costume presented quite a challenge on-site. That giant mechanical scythe carried substantial heft; holding it aloft with one hand or horizontal across my torso demanded not only arm strength but also steady core balance, otherwise fatigue would easily show through on camera. The tactical straps across the attire, the communication gear on my leg, and the black fur-collared cape created rich visual layering when worn. In particular, the holographic iridescent lining on the inside of the cape cast a subtle rainbow sheen across the cool-toned frame whenever I strode forward or whipped the cape—a detail from the original design that I absolutely adore.
Foot traffic was immense at Firefly ACG Expo on the shoot day, making the hardest part of convention photography finding a clean framing angle amidst the bustle. To bypass passersby in the background, we mostly relied on low-angle upward shots or utilized telephoto lens compression. For the standing pose in photo four, I intentionally let the cape billow backward and aligned the horizontal line of the weapon right at hip level; visually, this elongated leg proportions while coordinating with the black shorts and tactical leg straps for an even crisper silhouette. Many friends asked how to color-grade this cool tone: the key is to avoid crushed, dead blacks in the shadows—retaining a touch of gray makes the image far more pleasing and durable over time. Meanwhile, skin tones should be isolated and desaturated slightly while preserving a hint of rosy warmth so the subject doesn't look completely drained of color in a cold setting.
Cosplaying La Pluma this time involved extensive communication with the photographer regarding everything from wardrobe accessories to leverage points for holding the prop. Because the gear was heavy and restricted my range of motion, controlling my facial expressions and gaze became paramount. It couldn't be constantly strained; there had to be that sense of relaxed composure seen during battlefield reconnaissance or brief respites. Finishing the retouching on this set draws a satisfying close to this Firefly ACG Expo excursion. Looking at the final photos of myself wielding that giant scythe, carrying it around all day at the comic convention felt completely worth the exhaustion. Next, I plan to properly maintain and store this whole set of gear, and then see what other characters I'd love to challenge in the future.