Why does the exact same set of photos present three completely different color grading styles? This actually depends entirely on the shooting location and the light and shadow environment of that day. This set is a Ganyu ballet-themed cosplay. To fit the character's inherent temperament, the costume features a blue-and-white gradient fluffy skirt with ballet elements, paired with white cross-strapped shoes. The wig retains the classic blue twin-tails and black-and-red animal ears, and the overall makeup and styling follow a clear and sweet route.
The first set was shot in a classical architecture area. The stone pillars and sculptures there carry a stern texture, and with white doves happening to fly past, I deliberately lowered the color temperature in post-processing, leaning towards a cool and vintage direction. Preserving the graininess of the stone steps, I wanted to present a quiet, elegant atmosphere as if time had stopped.
The second set was shot on a beach swing during the daytime. The sunlight that day was very clear, and the sea breeze and waves brought a very light and airy state to the whole vibe. This set retains the true brightness of the sunlight; the blue sky, beach, and blue skirt hem formed a high-saturation color resonance. The flower vines on the swing and the coconut and small crab props on the ground added a lot of lively summer resort feeling, making it the most energetic tone among the three, and the closest to what the naked eye sees.
The third set was shot against the backlight along the coastline at dusk. The light changes very quickly at sunset, and coupled with holding a balloon and ribbons fluttering in the sea breeze, if we forced up the exposure to capture details clearly at this time, it would instead destroy the layers of light and shadow. Therefore, we simply abandoned lighting and used the silhouette of the sunset at dusk to shoot a set of silhouettes, with color grading leaning towards a gradient of warm orange and pink-purple. Although it was backlit, after enlarging the range of movements, the character's form and sense of fluttering became even more prominent.
As a cosplayer who frequently goes on location shoots, the biggest reason why the exact same outfit on the same day can produce completely different visual effects is the difference in light direction and color atmosphere. Therefore, before shooting, one must plan the range of motion according to the weather and scene. During location shoots, you should also pay attention to the extension of the leg lines; designs like this cross-strapped style are especially great at lengthening the visual proportion of the legs. Post-processing color grading also requires restraint—do not apply a single preset to all photos. You must edit according to the light and shadow logic of the original environment so that every single photo has its independent vitality. I hope this Ganyu ballet trio allows everyone to see the multi-faceted nature of the character's styling under different light and shadow conditions.