This Ganyu outfit took a lot of thought in terms of details, especially the upper body's white off-shoulder corset waist. The black paneling on the front and the silver trim make the overall sense of layers richer, while the off-shoulder tulle flutter sleeves combined with blue streamers make it feel particularly lightweight when moving. The gradient treatment of the skirt hem is my favorite part; transitioning from white to light purple-blue and then to deep blue, it uses several layers of superimposed tulle. Under the lights during shooting, there is a subtle pearlescent reflection, creating a dreamy photography texture. The black and red horns on the head are custom-made, with a gradient paint job on the inside red portion. Combined with the light blue long curly hair, the design with straight bangs and sidelocks perfectly fits the original character's temperament. For the makeup, I chose a fleshy-pink eyeshadow and a natural nude lipstick to avoid stealing the spotlight from the outfit as much as possible, focusing instead on the contours of the eye makeup to make the gaze look softer.
The scene for this shoot took a whole day to build, dominated by a cool blue-and-white color palette. It was decorated with a large number of artificial blue flowers, white classical railings, a wrought-iron birdcage, and a giant blue butterfly model. The overall atmosphere leans heavily toward an ethereal and fairytale feel. In terms of props, besides the gold staff in my hand, I also prepared a leg ring and tulle decorations for the ankles; these details make the frame more memorable. During the shoot, I tried standing, leaning forward, and sitting angles. The pose in Image 3 where I lean forward and look back was actually quite a test of balance, but it happened to showcase the lace lining on the side of the skirt hem and the leg ring. The white thigh-high stockings also looked very natural under the soft lighting without looking out of place.
Regarding the wearing experience of the outfit, the tube top design requires anti-slip tape, otherwise it easily slips down with large movements. Although the tulle material looks beautiful, it is quite delicate, and there were a few snagged threads when I got back after shooting, but it was well worth it for the final photo results. The wig used high-temperature fibers, and the curls were set nicely, but the horns on the top of the head were quite heavy, requiring a few adjustments in position midway through the shoot. In terms of lighting, the studio used two sets of softboxes plus a white tulle canopy at the top, enveloping the whole person in soft light, which made the skin texture and the gradient transition of the clothes very comfortable.
This look actually has a lot of room for expression in terms of movement, especially the trailing effect of the streamers; a slight spin can capture a great sense of dynamic motion. I prefer the sitting pose in Image 4. When lifting the skirt hem by hand, the fluffiness of the dress forms a great resonance with the butterfly prop, making the visual composition relatively stable. On the other hand, the pose with hands raised high in Image 2 appears more stretched out, which is perfect for showcasing the overall physique. During the shooting process, the photographer would constantly adjust the camera positions, utilizing the pearls and bouquets in the foreground for blurring to increase the depth of field in the frame.
Speaking of accuracy, I believe the core of cosplay lies in capturing the character's temperament rather than just the appearance. That feeling of Ganyu being gentle with a hint of airheadedness, yet carrying an ethereal fairy-like aura, needs to be conveyed through expressions and body language. This time I tried my best to keep my gaze calm and slightly relaxed without over-exaggerated expressions, which serves as my interpretation of the character. Post-processing mainly adjusted the tonal uniformity and preserved the true texture of the skin without excessive smoothing. The small wrinkles on the dress were also appropriately retained, making the photos look more realistic rather than a pure CG effect.
Looking at the full set of photos, my greatest satisfaction is actually the integration of the scene and the costume. The blue bouquets and blue skirt hem form layers within the same color family, and the white tulle canopy adds a touch of mystery to the frame. If there's an opportunity next time, I'll try shooting another set under natural light to see if changes in illumination bring a different feeling. That's all for this sharing; although the preparation for this outfit was tedious, I think the final photo results are quite meaningful to commemorate.