After passionately debating with the post-production editor for quite a while, this Lappland the Decadenza cosplay photoshoot has finally settled. From the greyish-white animal-eared wig to the texture of the black high-collar leather jacket, the completion level of this set has completely met my inner expectations. The light and shadow chosen by the photographer are absolutely brilliant; the rim lighting in the first photo directly outlines the character's contour perfectly, and that layer of halo on the edge of the fluffy ears is my favorite detail. The candid action shot in the second photo, paired with the bright red curtain in the background, completely maximizes the character's combat tension. As for the third image, consider it a scene where I slacked off to sneak a sip from the red wine glass; the glassware prepared by the prop team and the metal ornaments beside it increase the layers of the frame, perfectly suited for showcasing a less tense side of the character.
The preparation process for the costume this time was actually quite a hassle. The black leather jacket on the upper body uses a relatively structured material with enough stiffness, but it was a bit restrictive when twisting my body, especially those geometric sleeve covers with black patterns on a white background and blue-red color clashing on the arms—they not only had to fit my wrists but also maintain the drop-shoulder pattern. The silver starburst badge matching the large area of clashing black, along with that red tie with white patterns on the neck, each individual piece was fixed bit by bit using sewing and glue. The two black square hairpins are the crowning touch, which, paired with the silver-white gradient wig, instantly raised the styling's completion to another tier. However, when shooting outdoors, it was blown messy by the wind countless times, relying entirely on the photographer's excellent candid capture technique.
Being a cosplayer for these past few years, I've actually grown to love this kind of sharp, hardcore-style suit jacket design more and more. The red-and-black combination never goes out of style, and adding golden metal chains as embellishments brings a touch of nobility while softening the wildness. However, I am also quite conflicted because this material easily reflects light; under indoor studio lighting or intense outdoor sunlight, there are an immense number of reflective surfaces that need to be processed in post. Here I must give special thanks to the post-production artist, Teacher Nan Jingxing. The fragmental complexity of the light and shadow he had to handle was absolutely outrageous, especially the plaid prints on the arm cuffs and the reflection of the metal badge on the chest. He had to retain the texture without overexposing, and I saw that the unedited layers he adjusted were stacked countlessly high.
Throughout this photoshoot, the chemistry between the photographer and me has gotten better and better. When capturing these narrative-driven frames, reasonably utilizing gazes and angles is truly crucial. The somewhat sharp yet indifferent gaze in the first photo, the sense of mystery created by using a hand to cover the face in the second, and the slightly relaxed posture focused on the red wine in the third—all did their best to restore my understanding of this character. Honestly, when taking the photos, I worried if adjusting like this would feel a bit artificial, but after seeing the final results, I found that this slightly world-weary and aloof temperament fits Lappland perfectly.
Although it took quite a long time and a lot of tossing around, seeing the final finalized product makes all the dilemmas and fatigue vanish into thin air. As the result of a high-intensity duo collaboration, this set of photos records my current efforts and ideas regarding character shaping, while also displaying various details of the costume design exceptionally well. I hope everyone likes my sharing this time; on days without photo editing, I will take a good rest.