Today was a complete whim; I rushed to the studio right around lunchtime. Honestly, my heart was still thumping when I reached the studio door. Because I left in such a hurry, the preparations were truly insufficient. Holding the gear and props in my hands, I kept feeling like there was something I hadn't had time to carefully tidy up yet.
Fortunately, the studio's backdrop setup had a great foundation. For today's outfit, the color scheme was a classic deep blue paired with pure white. The large bowtie at the neckline looks simple, but it has plenty of layering on camera. The lower body consists of white tights and her signature little shoes, paired with light golden long hair; the overall color tone looks exceptionally clean under the cool lighting. The little jellyfish prop in my hand was actually very clever. Although it felt light as a feather, under the lens's capture and paired with my hand-raising movement, it instantly brought out a nimble sense of floating underwater.
The studio scene this time was specially set up with an underwater ambient environment, perfect for simulating Underwater photography. The blue-green glittering tassel curtain hanging in the background genuinely carried the texture of water currents and jellyfish tentacles under the refraction of the studio lights, creating a shimmering effect from multiple angles. The floor was lined with silver reflective film and layers of fluffy white gauze, plus that conch decoration nearby and some artificial candles, maxing out the dreaminess of the entire space. Although this shoot was slightly rushed and the photographer and I didn't spend much time aligning, looking back at the raw photos today, I found the tension in several candid action shots was much smoother than expected. Especially the standing shot holding up the jellyfish—the skirt hem and coat naturally spread out due to the hand-raising motion, and with the background tassels creating diamond-like mottled highlights under the intense light, the upper and lower parts of the frame echoed beautifully.
The seated shot actually has a different charm. Compared to the dynamic movement of the standing pose, sitting down quieted everything down. With my head slightly bowed, paired with the texture of the white gauze, it appeared more introspective. Considering the final presentation of next week's Genshin Impact cosplay photoset, I might lean more towards using the one with the extended posture as the benchmark for key post-processing.
Regarding next week's release, I've actually already conceptualized some directions for post-processing color grading in my mind. Because this underwater theme is highly sensitive to changes in light and shadow, I plan to retain the original cold, deep blue tone during editing while enhancing the local highlights on the clothing accessories and the bowties on the shoes. This will give the entire frame a sense of underwater serenity without losing details due to the overall darkness. Although I didn't achieve 100% perfect preparation today, the relaxed vibe brought by this impromptu shoot added a touch of naturally flowing authenticity to the atmosphere in the photos, which is a wonderful element in Anime-style photography.
When the final photoset comes out, I hope everyone can see the pure, natural beauty within this ocean setting. I'm going to sort through the outtakes of the remaining raw photos, clear up my color grading ideas sometime this week, and then I can release the finely retouched images right on time next week.