For this Beijing studio photoshoot, I chose Ji Ruxue from Hua Jianghu: Bu Liang Ren. The overall costume is primarily blue, with an inner white cross-collared layer accented by a red belt. Upon receiving it, both the material and the hidden patterns felt very solid. The wig is a dark brown high ponytail, paired with several hairpins featuring cyan-blue accents; during the makeup test, my entire demeanor changed instantly. To fit the character's setting as a Wuxia maiden, a lot of effort went into the accessory details: the blue bracers on the arms are wrapped with red knots, and the addition of black leather gloves and Over-the-knee boots gives the styling an extra touch of chill and efficiency. The long sword in hand and the wide-brimmed woven bamboo hat are also extremely important props for this shoot.
This Beijing studio session was a collaboration with the photographer at Qimi Huanjing Studio. A pure white background severely tests lighting and model posture, but fortunately, the photographer is experienced, and the lighting is very clear and luminous without the need for redundant shadow touch-ups, allowing the colors of the subject and costume to pop out wonderfully. At the start of the shoot, my movements were a bit reserved; Ji Ruxue naturally carries a detached, formidable air, requiring strong body control. The photographer kept guiding me from the side, having me try poses like half-crouching, high single-leg lifts, and sideways backward glances. Matching with the long sword in hand, I gradually found the fierce aura of a swordsman.
My favorite action set from the shoot is the high single-leg lift, holding the sword forward with one hand while the other hand in a black glove assumes a defensive posture. This pose demands high core strength, but the dynamic tension captured is exceptionally strong, and the proportions of the Over-the-knee boots and leg lines are showcased brilliantly. Another set is a single-knee kneel with the sword upright; this pose is relatively quiet, but gaze coordination is particularly vital. By slightly turning the face toward the lens while adjusting the bamboo hat, the atmospheric feel of Jianghu martial artists was captured.
Costume details showed up extremely clearly under the high-definition Beijing studio lens: the hidden patterns on the clothing, the woven textures at the waist, and the blue gemstone decoration on the hilt all possess great texture. This mutual-aid collaboration experience was fantastic; the photographer's candid timing was precise, and the image delivery efficiency was high. This Beijing studio space is large with ample ceiling height, allowing unconstrained large-scale movements. While showcasing Ji Ruxue's swordsman temperament, the overall pictures also retain certain seductive elements, with black shorts paired with Over-the-knee boots, plus a stroke of red line decoration on the thighs, revealing sharpness amidst the coldness. In the future, I hope to continue trying shoots for this character in different scenarios. Because of a lack of a suitable outdoor location, this shoot opted for a pure studio session, but the pure white background better highlights the subject and costume details. Whether fierce with a sword or poised with a bamboo hat, it counts as a quite satisfying visual presentation.