This time, I'm mainly documenting the makeup details for Asuka from Neon Genesis Evangelion. I prepared a pair of bright blue colored contacts in advance; the highlights in the pupils looked exceptionally clear and translucent on camera. The wig is a custom orange-red twin tail style with great silkiness, though the bangs needed some DIY trimming to look natural. The styling focus was on the red horn-shaped hair accessories at the crown: first securing the roots with strong-hold styling spray, then using bobby pins to clip the accessories firmly into the wig's inner mesh so they wouldn't fall off when tilting my head up or down. The yellow camisole and blue choker are key details of this look. For eye makeup, a pink-toned blush was applied generously beneath the eyes to create the character's signature flush. When doing makeup, the base must be sufficiently fair and matte so it won't look oily on camera, while grey-brown contour powder deepened the nose shadow to enhance the bridge's 3D dimension. For eyeliner, a thicker tightline was drawn with slightly winged outer corners, then blended out with eyeshadow and paired with false lashes to make the eyes appear bigger and rounder. Overall, the shooting process was quite fun. The straps of the yellow top were slippery, requiring frequent adjustments to prevent wardrobe slips. The blue choker fit snugly around the neck without feeling tight. The round shield prop held in hand had a matte reflective finish; when posing with it, I had to watch the angle to avoid bouncing glare directly onto my face. Shooting indoors with front flat lighting minimized facial shadows, giving the skin a smooth, seamless finish. During post-processing, adjustments mainly focused on skin tone and eye enlargement while preserving authentic skin texture. The red twin tails tended to block the neck during shooting, requiring quick adjustments to reveal a clean collarbone line. As a classic character look, the color blocking of red, orange, yellow, and blue stood out vividly on camera. The placement and saturation of the blush directly affected character accuracy, and this pink-toned blush worked perfectly for this look. The wig bangs covered the eyes slightly, needing a trim to reveal those big, beautiful 2D eyes. Posing required frequent expression tweaks, with a gentle pursed-lip smile working best. There was some clutter in the studio, but a wide aperture blurred the background cleanly. The whole process took about three hours, mostly spent on the eyes, repeatedly adjusting eyeliner symmetry. The red horns on the wig also required strong fixing to ensure they wouldn't shift during posing. I recommend shooting cosplay during the day with ample natural light for greater post-processing flexibility and a more authentic, natural look. The base makeup and wig looked great under indoor lighting, and next time for an outdoor shoot, I'll explore more natural hair flow in this Makeup look sharing.