[Laevatain cosplay] Arknights: Endfield industrial style studio shoot record - Image 1
[Laevatain cosplay] Arknights: Endfield industrial style studio shoot record - Image 2
[Laevatain cosplay] Arknights: Endfield industrial style studio shoot record - Image 3
[Laevatain cosplay] Arknights: Endfield industrial style studio shoot record - Image 4
[Laevatain cosplay] Arknights: Endfield industrial style studio shoot record - Image 5

This studio shoot was set in an industrial style metal skeleton venue, aiming to restore the stern, sharp, and dangerous atmosphere of Laevatain in Arknights: Endfield. As soon as you walk in, the intricate steel pipes, metal trusses, and suspended black-and-yellow warning tape instantly max out the oppressive feeling intertwining wasteland and science fiction, which helped immensely in getting into character.

Lighting is the absolute core of this shoot. Long red neon tubes served as the main light source, casting red light onto the metal and skin, with a very sharp boundary line between light and shadow. To make the subject pop out from the cluttered background, the photographer specially cast high-contrast red light from the side, leaving the front in shadow. I needed to find the exact angle of facial illumination within the lighting effect to ensure that every glance back had a sharp and unwavering gaze.

There are a great many clothing details. The black-and-white color-blocked top paired with patent leather long gloves has an excellent texture, but reflection also means it's easy to scatter messy ambient light into the frame. When posing, I had to deliberately control the movement of my arms to avoid the messy lines in the background. Red hair and black horns are the character's iconic features; fixing the horns was a major engineering task, and their angle had to be maintained without falling over. The makeup also emphasized eyeshadow and contouring, with true red chosen for the lip color.

The most testing part was the exaggerated black greatsword. The sword body was extremely heavy. When holding it with one hand and posing a backward glance, the core had to be clenched extremely tight to keep it from shaking. Standing on narrow iron scaffolding and wearing high-heeled boots while having to squat or sit, my leg muscles were constantly in a tense state. The photographer mostly used low-angle upward shots to elongate the figure while highlighting the lines of the legs and boots, cooperating with the metal framework to form an upward-extending visual guide, and heavily using vertical composition to emphasize the oppression of vertical space.

Participating in the Hypergryph Carnival and Anime-style photography is actually a process of constantly forcing oneself to break through. Studio shoots lack the natural light of an anime convention site and rely entirely on artificial light sources for shaping, which is also the charm of Anime-style photography. Every adjustment of the hair position and the angle of the hilt was to get infinitely closer to that setting. Although my whole body was sore after the shoot, seeing those interlaced red-and-black, sharp light-and-shadow images in the camera made me feel that the effort wasn't wasted. That's all for today, and there is still a lot to savor about the colors and light-and-shadow of this set of pictures.