This set of convention photos for angel Rem styling has been posted directly with the help of the convention's post-processing lighting. The lighting at the convention site was very chaotic, with steel truss structures on top, but the photographer found a few relatively clean corners and toned down the lights in the back, making the final large aperture effect quite excellent. This time we used one of those propped-up doughnut halos; although it easily tilted during shooting, it was edited to be upright in post-processing, and the effect of it floating above the head still carries a great vibe.
On the details of the white dress, a pure white with a bit of a grey gradient was chosen, instead of an exceptionally rigid bright white, so it wouldn't overexpose during lighting. The collar featured a large amount of layered lace stacking, combined with that big bowtie right in the center, looking highly layered in front of the lens. The sleeve part used this independently draping lantern sleeve design, echoing the overall angel elements beautifully. In terms of accessories, the massive feather wings on my back were practically heavy; although they look lightweight in the photos, the pressure on the double shoulder straps was quite immense, and I wanted to take them off to rest several times during the shooting process. Additionally, that pair of transparent-heeled high heels was truly exhausting to stand in for long, but the effect of shaping the legs was indeed wonderful, coordinating with the fleece mat where I sat on a suitcase in Figure 2 to look relatively relaxed.
Here's a supplement on the makeup and hair part. To match the pure feel of the overall white angel styling, a relatively clean and pale foundation was used for the base makeup to cover facial redness and yellowness as much as possible, paired with milky white contact lenses to give the gaze a slightly transparent feel. The eyeshadow part didn't use overly heavy colors, merely dotting the outer corners of the eyes with a bit of light blue, and finally brightening the inner corners and bridge of the nose with highlighter. The eyelashes chosen were relatively well-defined styles to avoid visual burdens from excessive thickness. The lip color used a peach milk tea-colored lip glaze, which provides color without stealing the show. The wig was trimmed in advance, and the hairline was processed to be relatively thin, fitting the forehead without looking fake, while slightly thinning the ends of the hair could also exhibit a lightweight, breathing feel.
Speaking of it, the material choice for this outfit was considered for a long time, both to ensure comfortable walking in the exhibition hall and to guarantee that the texture was online in front of the lens. The clothing fabric is breathable and lightweight, and the feathers utilized white soft down, which doesn't feel cheap to the touch. That cross hairpin on the bangs was also customized, finer than the basic dimensions, fitting the blue hair texture perfectly. In color grading, I was originally worried that the hair saturation would be too high or too white, but this ice blue paired with white clothes, combined with post-processing halos and floating small particles, happened to suppress that relatively plain exhibition hall floor in the background without looking abrupt.
We mainly tried several angles during shooting. I prefer the first few sets; back then, the light was relatively soft, so I reached out towards the lens, happens to prop the wings up, making the final photos refreshing and interactive. In that half-body shot later, hands clasped together in front of the chest, paired with scattered feather special effects, the pure and quiet atmosphere was also highly fitting. The difference between convention photos and studio shoots is that a studio shoot has a clean background to highlight clothing details, while a convention photo has many people and a down-to-earth vibe, but finding a good angle can also capture pictures with an excellent convention atmosphere.
The biggest feeling after shooting this time was that the temperature inside the hall was high, and walking around an entire afternoon wearing thick wings and long sleeves was indeed a bit crazy. During the shoot, many fellow hobbyists and passers-by came over to praise the look and ask for photos together, which was exhausting but packed with a sense of accomplishment. Looking through the pictures, I feel these few convention photos were retouched quite translucently, with highlights handled appropriately, and the floating sensation of feathers and foreground blur executed in place. This is all for this set of angel Rem convention photos.