It took a bit of procrastinating after CP31 to finally organize this photo set, so taking advantage of the weekend, let me share my thoughts on shooting this Lynette look in Hangzhou ACGN. Because the venue had a semi-outdoor structure, the changes in lighting were quite unique. To make the best use of the geometric lines of the canopy ceiling in the background, the photographer opted for a low-angle upward shot. This camera angle not only showcased the lines of the skirt and legs, but also added a visual sense of weightlessness. The White stockings and leg ribbons required very meticulous adjustment, otherwise they easily bunched up into unsightly folds. During the shoot, I paid special attention to my tiptoe placement, making the leg lines look as slender and smooth as possible. The props were actually quite heavy; that feather-adorned umbrella in particular truly tested the stamina of my wrist and arm. Holding it for a long time made my muscles sore, requiring constant changes in pose to relieve the tension. The costume's texture was superb—the petticoat held its shape well with just the right amount of puffiness while walking, and the cinched waistline accentuated my proportions nicely. Many adjustments were made to the makeup: since pink and silvery-white wigs are demanding on the complexion, the base makeup was kept light and translucent. The eye makeup used a pale blue echoing the costume, paired with a touch of cool-toned blush. Two coats of setting spray were applied, as preventing makeup meltdown during such a lengthy shoot was essential. The overall color palette of this set was cohesive in shades of white and blue, creating a distinctive stage feel against the metallic architectural backdrop. This time, I brought a bouquet as a prop to complement the umbrella's feather elements, enriching the composition. Coordination with the photographer during the shoot was vital; he continuously reminded me of my expressions and posture, while I did my best to maintain a natural smile to avoid stiffening up, keeping my gaze focused into the lens. Though the shoot was physically demanding, seeing the final results brought an immense sense of accomplishment. The post-processing followed a clear, airy style, focusing on the blue-and-white contrast to ensure an even skin tone while preserving details in the sky and architecture. Other details, such as the texture of the feathers and the folds of the skirt, were appropriately refined. Since this was a CP31 convention photo report, the venue was quite bustling and noisy; to avoid passersby, we specifically chose angles with less foot traffic. The ribbons on my legs tended to come loose, so I had to constantly retie them between shots. The skirt fabric was quite breathable—though it looked heavy, it felt comfortable on. From preparation to shooting, it took quite a bit of time overall, but thankfully the outcome was very satisfying. Genshin Impact characters always feature abundant costume details, and Lynette's accessories and wig required dedicated care. Shooting under the sun prone to overhead lighting required the photographer to control angles and use reflectors frequently to fill the face, preventing harsh facial shadows. Compared to indoor studio shoots, outdoor shoots are slightly more challenging, but they offer a much more natural texture; combined with the authentic sky and light, the photos turn out far more vivid. I hope to try different settings next time. The photography gear and lighting setup this time were on point, and the bokeh produced by the wide aperture was fantastic. When this photo was taken, it was early afternoon. The sunlight filtering through the translucent canopy formed a very soft lighting environment, perfectly suited for such an ethereal character. To avoid blocking the light, I deliberately turned my body slightly sideways. The feather umbrella had delicate feathers, requiring extra caution during the shoot to avoid damaging them, so I gently gripped the handle, letting it rest naturally on the ground to enhance the draped aesthetic. Details on the shoes and outfit were also crucial; pointing the instep made the shoes look sleeker on camera. The bouquet was heavier than it looked, but holding it with the arm warmers made my arms look slender. The convention had heavy foot traffic, but thankfully the venue was spacious enough to use my body to block out the background, adding depth to the composition. I really enjoy outdoor cosplay shooting because natural light is so full of life, unlike the stiffness of a studio. Although you have to wait for optimal light, the results are much more natural. Setting makeup properly every time is also key, especially with light-colored outfits where any smudge shows up clearly. The photographer's ability to direct the scene was crucial too—monitoring my condition while capturing dynamic, fleeting moments. Looking at the finished photos, the makeup looks clean and the proportions between my legs and skirt are harmonious, leaving me very satisfied. After wrapping up the shoot, I felt totally relieved and relaxed.