Shooting this set for Rappa, my deepest impression was the challenge of body extension and prop balancing.
Talking about the costume and styling, this red-and-black color-blocked combat suit has quite rich detail layering. The outer jacket is a loose red jacket with a slight drape, paired underneath with a white cropped waist-baring T-shirt that nicely showcases waist and abdominal lines, with a blue and yellow woven strap around the neck as a color-contrast accent. The loose black pants on the lower half are a highlight of this design: the thighs feature mesh lace paneling, so during walking or large movements, both the drape and fit of the pant legs coexist. The black high-heeled open-toe sandals paired with dark nail polish match the overall street punk style very well, though doing high kicks in such shoes definitely demands great balance. The wig is a light pink long straight style worn under a black baseball cap with sharp red-and-black decorations; to give the wig a dynamic flow in the wind during shooting, the team specifically set up a blower on site, repeatedly adjusting wind direction and speed to keep hair strands from turning into a chaotic mess.
Now let's talk about the main attraction—the prop weapon. This crescent-shaped double-headed giant blade with a red-to-white gradient and hollowed-out design features a glowing blue neon ring in the middle as its finishing touch. The prop material itself is very solid; when holding it single-handedly while striking high-difficulty poses, the prop master and I repeatedly adjusted the center of gravity to capture an effortless look. In Photo 1, holding the weapon high with one arm combined with the stretch of a top-down perspective immediately brings out that sense of power.
The camera perspectives and environment were also very unique aspects of this photoshoot. We shot along the edge of an open-air rooftop platform on a high-rise building, where thick black cables wound around the edges, and metal structural frames with various ports and buttons lined the roof perimeter—giving it a strong cyberpunk industrial texture. The photographer specifically selected a wide-angle or even slightly fisheye lens, using exaggerated perspective relations to construct the frame. The high-angle overhead shot in Photo 1 combined with cables in the foreground created a feeling of the character floating high above the city; the low-angle shots in Photos 2 and 3 thoroughly elongated and amplified leg lines, movement extensions, as well as shoe and pant-leg details. In the background, towering glass-curtain skyscrapers and dense apartment buildings with vintage fire escapes interlocked, while sunlight filtered through cloud gaps to cast soft diffuse lighting—this natural light flattered the saturation of the red jacket and pink hair perfectly, keeping colors vivid without being harsh.
In terms of pose design, to present the character's unruly, energetic state, we decided against using static standing poses. The high kick on one leg in Photo 3 required placing full balance onto a single leg, with the upper body using shoulder and arm strength to fight gravity and strong wind while propping the weapon on the opposite side for visual balance—we shot dozens of takes just to capture that most fluid, fully extended moment. This intense physical exertion combined with high-heel limitations made me deeply appreciate the effort behind every high-quality output in Anime cosplay.
Overall, creating that bold anime sci-fi feel in a real Urban location relies not only on costumes and props, but even more on the combined power of composition, perspective, and lighting. I have also been exploring using different camera languages to multi-dimensionally restore my understanding of character settings, breaking traditional shooting methods to give images greater narrative tension and visual impact. I am very satisfied with how these photos turned out—that narrative sense where street style collides with machinery is fully integrated into this photo set with Cyberpunk photography vibes.