This time I tried out the makeup and styling for Ruruka. From custom-making the clothes in the early stage to trimming the wig, and finally to the shooting and image selection, quite a bit of thought was spent overall to restore this character.
Regarding the wig, I selected a light golden hair color. The layers of the bangs section needed to be trimmed relatively thin, which can both cover the forehead and keep it from looking overly heavy and rigid. That iconic large black bow on top of the head is the finishing touch; I found velvet fabric with a subtle luster to make it, keeping the texture as close to the original setting as possible. The fixed position of the headpiece is also crucial, needing to be slightly toward the back to prop up the entire head silhouette.
For the costume section, the main body is a deep blue-gray loose dress or overshirt. The pattern design of this clothing belongs to a type leaning toward cute and homey styles, so the upper body effect is relatively loose and comfortable. That oversized white square sailor collar on the chest is highly eye-catching, serving as one of the visual centers of the entire design. The cuffs are pieced with broad white ruffles, enriching the layers of the arm section while echoing the white of the collar. The lower body is paired with pure white tights; this non-sheer white打底 easily manufactures a soft and squishy feel in daily and 2D daily life outfits.
To highlight the characteristics of the character's eyes, I specially selected purple colored contact lenses with a slightly larger diameter. The eye makeup section focused heavily on the under-eye area, adopting a warm pinkish-toned slightly tipsy blending, a painting style that can visually add a bit of laziness and innocence. The black false eyelashes extending downward at the outer corners are key; they must be applied very smoothly with fluent lines to restore that unique dopey demeanor of the character. For the lip color, I selected a relatively matte fleshy pink, emphasizing a healthy complexion while preventing the makeup from looking too heavy.
The shooting scene was set next to an indoor door frame, utilizing the natural scattered light filtering in from the window as the main light source. This soft lighting can balance facial shadows beautifully, making the base makeup look cleaner and more translucent, while avoiding overexposure issues brought by harsh lights. At the same time, the ice cream model prop prepared beforehand was used to increase the fun of the frame.
I ultimately selected the second photo as the cover, mainly considering its composition is more relaxed and the character's actions are more vivid. When holding the prop, it can naturally elongate the line of sight, and the seated posture can fully display the coordination of the skirt hem and the white tights. The character as a whole is located at the center of the frame without edge-clipping, and there is no watermark text interference. Although the first picture focuses more on facial demeanor, it displays relatively fewer limb and leg details.
A lot of time was actually spent making preparations before shooting this set of makeup and styling, especially removing the wig shine and trimming layers heavily tested patience, and outlining the eye makeup also required being highly careful. During the shooting process, movements and expressions were also being adjusted, trying to find the state that fits this character closest. Since intense movements were not needed, a static seated pose instead became the best way of expression. I am relatively satisfied with the overall output effect, counting it as a thoughtful interpretation of the character in this Cosplay sharing.