When I first received this Nangong Yu styling, I was immediately captivated by its rich sense of layering. As the delusional angel, the overall color scheme is a visually striking weave of white, black, and pink. Starting with the head, the wig features pink on the inner layer and black on the outer layer, with the gradient and flipped-out ends designed to give the short hair an airy feel. The mint green halo on top is fixed to the headband using an acrylic sheet combined with a transparent tube; during studio shooting, as long as there's no strong wind, it basically maintains a stable floating sensation. The small pink and cyan bows on the head are also the finishing touch; although numerous, their placement is symmetrically arranged.
The costume's tailoring is more complex than I imagined. The upper body is a white crop top short sleeve, spliced with red plaid straps and black cross-stitch printed lines. The sleeve portion deliberately incorporates black plush paneling, which feels wonderful to the touch, though wearing it in summer truly tests your heat tolerance. The pink ruffles on the skirt hem are crafted into multi-layered pleats, creating a strong three-dimensional sense when moving, while the small bat prints on the skirt echo the overall little-devil vibe. The paneled Stockings on the lower body are the focal point of this outfit: the thigh portion features a white base with pink diamond patterns, while the calf portion is solid black, with the color boundary line hitting right in the middle of the thigh. For the red leg garters, I chose a hard-leather texture printed with white characters, which not only enhances the overall cyber techwear vibe but also visually tightens the leg lines.
The mechanical wings on the back are made of lightweight materials. To ensure great photographic results, I used black circular accessories at the wing joints to simulate mechanical rotation axes, and the edges feature a segmented design. Although they look a bit heavy, wearing them is completely unproblematic, though you need to mind your turning radius slightly to avoid bumping into nearby objects. For the black cat scepter in my hand, I specially attached reflective stickers to the cat's eyes, creating an illusion of glowing under specific lighting angles.
While shooting these photos, I constantly adjusted my center of gravity and poses, trying my best to showcase the side cutouts of the costume and the back lines. The first photo features a side-profile look-back, capturing the layers of the hair, wings, and skirt hem quite completely; the second photo presents a frontal interactive posture, with the gesture holding the scepter and a slightly sideways body angle intended to convey the confidence of someone ready to dance. As a lead dancer, pose tension is crucial, so I experimented with different angles to display body curves. This outfit looks cute, but actually carries a touch of techwear and little-devil rebellion; that sweet-and-cool balance still needs careful control down to the detail of movements. The pure white background in the studio highlighted the costume's colors exceptionally well, with no cluttered elements distracting the line of sight. Especially the combination of paneled Stockings and leg garters is extremely eye-catching from a frontal perspective. I'm quite satisfied with the completion level of this set, especially the details in materials and prints, which easily withstand the lens's magnification.