This Patchouli styling was worn from 9 AM until the end of the afternoon session, which was a real test of physical stamina. Every ruffle from the wig to the clothes required meticulous adjustments. The color scheme, predominantly purple and light blue, is actually quite difficult to shoot with that dreamy feel under the convention's overhead lighting. Thanks to the photographer Ruoye for constantly adjusting the camera angles on-site to capture a few ideal frames of light and shadow.
First, let's talk about the small details on the costume. The large ruffled hat on the head has a supporting structure; to keep it from collapsing, quite a lot of wire skeleton is hidden inside, while the gauze material at the edge of the brim is very light and thin, giving a very natural dynamic elegance when walking. The cyan-blue large bowknot at the neckline is adorned with shiny diamonds, forming a color contrast with the purple skirt hem. The sleeve design features large ruffled lantern sleeves with puffy multi-layered pleats; when raising hands or turning around, the sleeves themselves form beautiful silhouettes due to air resistance.
The accessories on the face were a challenge. The metal chain extending from the bridge of the nose and the blue butterfly decorations beside the cheeks look very lightweight, but extra care must be taken during actual movement to avoid snagging on the dress's lace. This detail served as a brilliant crowning touch for the entire look, adding a touch of mystery to the makeup.
The huge 'grimoire' prop held in hand was actually very heavy. The book surface was covered with decorative flower clusters shaped like hydrangeas, along with a few butterflies that could reflect laser light. To fit the thickness of the book edge, each flower was carefully secured to the cardboard surface using glue and needlework. Holding it for a whole day, my wrists indeed felt a bit sore and swollen. When shooting the second photo where I closed my eyes to look at it, I truly felt a sense of tranquility under the weight of the prop, and the state at that moment was very natural.
The third photo sitting on the ground is an image I personally really like, and it's also the angle I feel is most suitable for the cover. It was shot in a relatively spacious corner of the exhibition hall, where the reflective glass floor happened to mirror the lines of the skirt hem and legs. The lower hem of the entire dress has multiple layers of lace stitching, and sitting on the reflective ground happens to highlight these layers. The white lace-up shoes also beautifully echo the overall clean color tone.
The background at the convention venue is usually quite cluttered, but the blurred overhead lights in the photos instead created a stage presence. For such a complex outfit, the hardest part of convention photos to overcome is actually the lighting and environment; it is not easy to find shooting space in the chaotic crowd. During the shoot, passing fellow fans occasionally exchanged words, and a friend joked about whether a 'blonde magician' would come to crash the scene. Joke aside, the venue was actually very orderly, which provided the basis for safely producing this set of photos.
From standing and raising my hand, to closing my eyes in deep thought, and finally sitting on the ground stretching, the states in these three pictures just connect the entire process of participating in this convention. Although the stacked lace and heavy wig made me sweat in the stuffy exhibition hall, and the grimoire prop made my hands sore, seeing the final photos still makes me feel that most of the day's effort was entirely worth it. To present that elegance and composure of classic characters from Touhou Project, one indeed needs to control expressions and movements without overdoing it. This set of return photos today will serve as a little record of my offline attempt.