[Peipei Cosplay] Arknights Golden Dolphin D2 Outdoor Shoot: iPhone Portrait Mode Review - Image 1
[Peipei Cosplay] Arknights Golden Dolphin D2 Outdoor Shoot: iPhone Portrait Mode Review - Image 2
[Peipei Cosplay] Arknights Golden Dolphin D2 Outdoor Shoot: iPhone Portrait Mode Review - Image 3
[Peipei Cosplay] Arknights Golden Dolphin D2 Outdoor Shoot: iPhone Portrait Mode Review - Image 4
[Peipei Cosplay] Arknights Golden Dolphin D2 Outdoor Shoot: iPhone Portrait Mode Review - Image 5
[Peipei Cosplay] Arknights Golden Dolphin D2 Outdoor Shoot: iPhone Portrait Mode Review - Image 6

Finally sorted out these trial makeup photos and Convention photos of Peipei, posting them quickly while I have time. When I first got this Golden Dolphin D2 outfit, honestly, the thing that gave me the biggest headache was that giant staff prop. Although it beautifully restores the art style of the original game in detail, holding the actual object in hand is truly quite heavy. During the shoot, I had to consider more poses to keep my entire body in a stable state. But that's exactly where the joy of making a cosplay debut comes from; to make the character's visual elements richer, one must put plenty of effort into the styling and props. This time, I decided to try using the iPhone's Portrait mode for the outdoor shoot, and after the whole process, I must say this mode gave me a pretty big surprise.

Look at this hair color—I chose this light pink leaning toward purple gradient tone, styled with straight bangs and long straight hair. To fit it perfectly into the character's hood, I made some hollowed-out adjustments to the internal wig net and the top fiber, so wearing the hood could prop up that pointy shape without making the top of the head look flat, and it could also nicely position that white flower decoration on the hood. The costume section follows a black-and-gold route design, utilizing a lot of slightly reflective glossy materials, especially that golden texture inside the cape, which forms beautiful refractions under outdoor natural light. The overall styling fits the tone of this character in my mind exceptionally well.

However, this costume is indeed quite a test for the figure. The open-waist design combined with slim-fit black leather shorts, paired with elements like leg rings and straps, actually sets high requirements for one's proportions and temperament. Especially the golden accessories at the waist and that fairly large metal pendant—they aren't just for looks; their positions also need careful mapping, and they won't stray mid-shoot only if securely fixed. The tail has a furry texture, and the entire pink long tail is looped with several gold metal rings, which beautifully enhances the three-dimensional and dynamic feel of the overall styling during movements and backward glances, serving as an excellent visual balance point when posing. The location was right outside a convention venue, where the background was considerably complex, with all kinds of people in daily wear or holding gear walking back and forth. Thanks to the iPhone's Portrait mode, its algorithm is extremely accurate at recognizing hair strands and prop edges, especially the bokeh effect on that plush tail and the hood edge, processing it very softly and naturally without that harsh cropped-out feeling. This saved me a massive amount of post-processing time in front of the computer handling backgrounds and cutouts; basically, I could look at the original images right on my phone after shooting, which vastly improved efficiency and output rates for an outdoor shoot.

Many people might feel that smartphone photos lack the sharpness of professional DSLRs for Anime-style photography, but in reality, under this non-studio environment, the smartphone Portrait mode instead provides an authentic sense of presence, and with the integration of the lighting environment, the layering of the photos doesn't lose out to cameras. The black-and-gold color scheme is actually easy to ruin under strong light, especially the reflection of black leather—it develops an oily feel once overexposed—so we intentionally sought out locations with architectural shadows or blockages, utilizing soft white light to illuminate the face and costume details. In the final prints, the light transparency of the hair strands, the light and dark undulations of that white decoration on the hood, and the texture of the gold trims were all preserved quite well. To avoid a massive area of black and gold making the tone too heavy, I also subtly introduced some soft color transitions into the makeup, boosting the overall complexion and adding spirit to the eyes.

In the process of executing this outdoor shoot, I also discovered some small details, such as the sense of weight from that string of decorations and pendants at the waist, and the fixed position of the leg rings, which both needed checking and adjusting from time to time to prevent them from slipping and impacting the visual consistency of the overall look. Furthermore, the pedestrian traffic outside the convention never stopped; wanting to capture natural expressions and balanced compositions in such a fast-paced environment, shooting with Portrait mode indeed provided convenience. After this experience, as long as one can hold up the heavy props and pay a little attention to background selection, smartphone Portrait mode can completely serve as the main workhorse for convention outdoor shoots. The texture of this straight out of camera (SOOC) layout has already made me highly satisfied, making it overall a fantastic cosplay attempt.