This time, I chose an indoor set to complete this group of Cirno photos. The lighting and environment of the venue were actually on the warmer side, but the post-processing specially lowered the color temperature, coordinating with drifting snow and ice crystal special effects to fully maximize the 'Ice Fairy' atmosphere of Gensokyo. For the costume, the light blue puff skirt paired with white lace edges and the iconic big red bowknot achieved a level of restoration that I'm quite satisfied with. The wig took a long time to style, and that signature blue bowknot was fixed with several layers to look natural. The specially customized transparent crystal wings and suspended ice shard fragments give the overall visual more layering. During the shoot, I attempted several different actions—shown in the pictures are the postures of catching snow with one hand and lifting the skirt hem; controlling the center of gravity was quite important because the shoes are Mary Janes with heels and the skirt hem is relatively large, so I had to be careful not to get tripped when twirling. The on-site staff helped adjust the fill light angle, ensuring the blue texture didn't wash out. Actually, cosplay is not just about putting on the clothes, but more about capturing that character trait of being slightly childishly confident and tsundere, so my expression deliberately held back a smile to maintain a 'strongest' composure. In terms of props, the shattered ice effect on the ground was combined in post-processing, but reflectors were also arranged before shooting to simulate ice surface reflections; the overall post-processing direction was clear, bright, and translucent. I hope that through this group of photos, everyone can see the mischievous yet pure Cirno by the Misty Lake in my heart.