For this Sona Buvelle shoot, a lot of thought and effort went into it from preparation to the final photos. Because Sona's core elements are music and her iconic stringed instrument, we specifically chose a vibrant and slightly fantastical indoor jungle for the set design. As you can see, the background features a large amount of tropical plants, ferns, and hanging white gauze, paired with dry ice smoke arranged on-site, all to create that ethereal, tranquil secret realm vibe, as if she had just plucked her strings and stepped out of some ancient forest.
The material and color scheme of the costume are very faithful to the original. The dark navy blue velvet fabric spliced with light cyan satin, plus large areas of golden piping, present a fantastic texture under the lens. The golden musical note patterns on the skirt hem are also full of texture. To match the character's hair color, this lake-blue twin-tail wig not only has an astonishing volume of hair, but the hair ends also feature a light green gradient treatment. Wearing it is actually quite heavy, and the extra-long hair requires special attention when posing to avoid tangling with surrounding plants. The golden square hair clip of the headpiece was also carefully compared with the design settings, and the reflective texture on the edges is handled very well.
Besides postures, the focus of this shoot was that huge golden harp. To capture a realistic playing feel, I specifically practiced the pose of holding the harp and hand movements before the shoot, paying attention to the arc of the fingers plucking the strings, trying to make the movements look natural and professional without appearing stiff. Every close-up of playing the harp that you see actually required overcoming the weight of the prop to keep the body stable while also ensuring a soft facial expression. During shooting breaks, I quite liked taking a champagne rose as a small prop; the green leaves and light-colored flowers matched this outfit unexpectedly well and also enriched the visual layers of the frame.
Light control for the indoor set was actually quite troublesome. Most of the time, soft light had to be used to neutralize the hard shadows brought by the vegetation, making the facial lighting more even to properly recreate Sona's gentle yet somewhat cool and aloof temperament. For this makeup look, I also intentionally intensified the blending of the eyeshadow, using a reddish tone to make the gaze look more alluring, paired with a glossy lip makeup for a more three-dimensional visual effect.
Choosing this outfit was also because the off-shoulder design can showcase the collarbone lines wonderfully, and combined with camera angles, it captures some relatively sexy yet elegant shots. The most interesting part of the shooting scene was climbing onto that hemp rope swing. Although sitting on it was a bit shaky and required core strength to maintain balance, the frame presented with the gauze drapes was truly ethereal. Every photo is the result of repeated communication with the photographer regarding light, shadow, and angles, hoping to convey Sona's quiet and healing power.