To authentically capture Qiqi's pale and endearing jiangshi presence, I deliberately chose a foundation two shades lighter than my usual tone, taking extra care to blend the transition between neck and face seamlessly so it wouldn't look harsh in natural daylight. Eye makeup demanded the most meticulous effort, as Qiqi's eyes possess that slightly hollow yet innocent purple gaze. I wore light purplish-grey colored contacts, laid down a base of desaturated dusty-pink eyeshadow, and subtly deepened the outer corners with cool-toned purplish-brown. Rather than drawing harsh eyeliner, I softly smudged darker shadow straight out from the outer lash line, pairing it with slender, natural lashes to avoid heavy volume and preserve that weightless, airy fragility.
Then came this light purple wig. The main hurdle lay in sculpting the curve of the bangs and face-framing side strands. To keep it looking naturally fluffy, I used a flat iron beforehand to flick the tips of the side strands outward, which beautifully framed my face. The blunt bangs were trimmed straight across but subtly thinned along the tips to avoid a bulky helmet look. The ahoge on top also took considerable styling effort, requiring plenty of hairspray to stand pertly without collapsing.
For the outfit, the blue fabric carries delicate subtle jacquard patterns under the light. The navy polka-dot totems along the sleeves, combined with the beaded strands and tassels, create a wonderful graceful drape in motion. The talisman-adorned hat is undeniably the soul of the entire look; its geometric emblem and metal fittings boast great tactile texture, though it also carries substantial weight—after wearing it through an entire afternoon of shooting, my neck definitely got quite a workout.
We chose an antique wooden building as the shoot location. The moment I spotted this latticed windowsill, it felt tailor-made for Qiqi. Instead of standing poses, I leaned directly over the sill, resting my chin on clasped hands. This languid posture harmonizes wonderfully with a little jiangshi's somewhat stiff, slow nature. Framed by a half-open wooden door in the foreground, shot from a gentle downward angle under soft natural light, the quiet, mystical, and endearing atmosphere came alive. The photographer guided me to stay relaxed without overly focusing my gaze, letting it drift blankly, and I was thrilled with the resulting mood. Bringing a fantastical character into such a traditional backdrop created a delightful contrast.
Speaking of posture, Qiqi's character design features many mechanical, rigid movements. Yet in this setup, I made a slight creative adaptation. Because resting on the windowsill fully supported my body weight, I kept my arm muscles relaxed while curling my fingers with a subtle stiffness. Painting my nails with black polish added another fine touch of non-human mystique. The billowy, oversized sleeves pooled naturally when leaning forward, blending with the yellow tassels to create rich chromatic depth across the composition.
The lighting was wonderfully cooperative that day—not direct, harsh sunlight, but dappled patterns filtering through leaves and wooden lattice windows. This created velvety soft transitions between highlights and shadows across my figure, rendering even the subtle jacquard weave of the clothing crystal clear. In post-processing, I avoided heavy filters, focusing primarily on dialing down the color temperature for a cooler tone to amplify that ethereal mood, while darkening background shadows to anchor visual focus firmly onto the face.
Building this character from scratch was truly the most rewarding part of the journey. From initial fittings and accessory placement to practicing facial expressions in front of the mirror, and finally clicking the shutter in the ideal environment, every step took tremendous energy. But seeing the finished frames made all the hours spent styling the wig and testing makeup entirely worthwhile. The costume features countless intricate details—especially the tiny beads and tassels—demanding constant vigilance on set to keep them from tangling and turning retouching into a nightmare.