Putting on this outfit and standing by the stairs of the Spina di Rosula old mansion, with sunlight spilling through the frosted window panes onto the blue and gold skirt hem, I suddenly understood Navia's temperament—composed yet with a touch of edge. The details of this costume are handled very well—the blue rose on the brim, the black veil and gems at the neckline, and the asymmetrical hollow gloves and ruffled cuffs on the arms, each place fits the character setting. To restore the 'weight' of the greatsword and the elegance of the lady, I specifically distinguished the stance and gaze: for frontal close-ups, I softened the edge, trying to get closer to the relaxed and trusting tenderness Navia shows to old friends; for the back view looking out the window, I adjusted the angle of the shoulders and waistline to let the orange lining of the skirt fall naturally, paired with the lily bouquet in my hand, aiming to present a sense of story: 'still bright after the storm.' During the shoot, my partner and I cooperated tacitly, using the depth of the stairs and the contrast of light and shade to highlight the texture of the costume and integrate the scene into the character's background. This cosplay set has been adjusted repeatedly from makeup to accessories, especially the fluffiness of the wig and the curvature of the bangs, striving to retain the 2D outline of the original art under the lens without losing the vividness of a real person. Every photoshoot is a re-interpretation of the character, and the feeling in the Spina di Rosula old mansion this time was very quiet and down-to-earth.