Zero degrees in the early morning at Dali Longkan Wharf.
During these few days of shooting, Dali hit a sudden cold spell, and waking up at 4 AM to do makeup required tremendous willpower. But pushing open the guesthouse door to see the half-dark clouds with faint orange light breaking through in the distance instantly calmed my anxiety.
This shoot features Shameimaru Aya from Touhou Project. As a Tengu maiden, her character inherently matches this high-altitude, waterside setting. I prepared her iconic red beret and pointed ears in advance, though the trickiest parts were the black feather wings and shawl on my back—they shifted easily in strong winds, but once static under the front lighting at Erhai Lake sunrise, the character's lively charm naturally emerged.
The water around Dali Longkan Wharf grows redwood trees directly in it, creating a striking contrast between reddish-brown leaves and deep blue Erhai Lake waters. To achieve a seamless blend with nature, I stood barefoot on a reef submerged in water.
In early November, Erhai Lake's water was piercingly cold, sending a freezing chill straight to my brain the moment I stepped in. To capture the first ray of light filtering through branches onto me, I held the same pose on the rock, repeatedly reaching out toward overhead leaves. Cold morning wind caused my body to tremble slightly, but I kept adjusting my breathing to ensure a relaxed, nature-interacting demeanor on camera.
Switching to a seated position halfway through was actually because my feet were losing sensation, taking a brief rest while the photographer adjusted camera settings. Yet that candid moment looking sideways at distant mountains and shimmering waves was caught perfectly, carrying more effortless relaxation than staged posing.
Figure 3 is a close-up taken after the shoot wrapped, wearing a cozy white plush coat. By then the sun had fully risen with softened light, casting a warm, living ambiance on coastal houses.
The difficulty lay not only in temperature but also in slippery underwater rocks. Every pose change required careful stepping while avoiding water splashes that could fog up the lens. Thankfully, the photographer was patient, letting us catch that 10-minute golden hour before the sun leaped over the horizon, after which water colors and lighting shifted too quickly.
The sheer immersion of real water and real wind cannot be replaced by studio setups. Though my trousers were soaked leaving the reef, seeing the final processed Outdoor photography shots made every icy morning moment completely worth it. Stepping directly into local environments and shaping character ambiance with natural light remains the ultimate charm of outdoor shooting.